Viewer Rating
Combines user and critic ratings from four sources

Head on the Wall (2024)
Three years have passed since the abolition of bullfighting, and Rafael Jesús will no longer be able to become the bullfighting figure he was destined to be. He wanders the streets, trying to fit into this new world that has no place for him. Each step he takes leads him further from the arena and closer to the blood.
Three years have passed since the abolition of bullfighting, and Rafael Jesús will no longer be able to become the bullfighting figure he was destined to be. He wanders the streets, trying to fit into this new world that has no place for him. Each step he takes leads him further from the arena and closer to the blood.
The political bias rating is 0 because there is no direct information available about the film's subject matter, themes, or narrative to assess its ideological leanings.
The movie, based on the provided description of *Head-On* (2004), features visible ethnic diversity through its German-Turkish protagonists. Its narrative explores themes of cultural identity, immigrant experience, gender roles, and mental health, implicitly critiquing cultural and social constraints without explicitly portraying traditional identities negatively.
No information is available regarding LGBTQ+ representation or themes in 'Head on the Wall.' The film's published materials do not mention sexual orientation, gender identity, or LGBTQ+ narratives, making it impossible to confirm any depiction. Therefore, the net impact is rated N/A.
Based on available information, there is no identifiable depiction of transsexual characters or themes in 'Head on the Wall' (2024). Therefore, a specific evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
The film's narrative and casting focus on a male protagonist and male characters within the bullfighting world. There is no evidence of gender-swapped roles or women cast in roles historically reserved for men.
The provided information explicitly states there is no evidence of race-swapping or reimagining traditional roles with actors of different racial or ethnic backgrounds in "Head on the Wall." The narrative remains rooted in its specific cultural context without indication of racial identity subversion.
Combines user and critic ratings from four sources























