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Combines user and critic ratings from four sources
Comedy, Drama • 1988 • 88 min • Adults (18+)

After being dumped by her lover, Pepa finds her life and the lives of those around her spiraling out of control in a deliciously chaotic series of events.
Carmen Maura • Antonio Banderas • Julieta Serrano
After being dumped by her lover, Pepa finds her life and the lives of those around her spiraling out of control in a deliciously chaotic series of events.
Carmen Maura • Antonio Banderas • Julieta Serrano
The film leans left due to its dominant themes of female solidarity and resilience in the face of male abandonment, implicitly critiquing traditional male roles and celebrating women's agency in navigating personal crises rather than relying on external structures.
This Spanish film showcases a diverse array of strong female characters navigating personal crises, with a narrative that subtly critiques traditional male roles and behaviors as catalysts for the women's emotional turmoil. The casting is culturally appropriate for its setting, without explicit DEI-driven recasting.
The film features a lesbian relationship for a supporting character, Candela, which is depicted without judgment or sensationalism. This portrayal is incidental to the main plot, neither uplifting nor denigrating queer identity, but rather presenting it as a normal facet of the characters' lives within the film's chaotic narrative.
The film includes Lola, a transsexual character, whose identity is a plot point driving the protagonist's emotional turmoil. However, Lola does not appear on screen, and her trans identity is presented factually without being a subject of either affirmation or denigration, leading to a neutral overall portrayal. For instance, Lola's identity is the reason Ivan left Pepa, but the film focuses on Pepa's reaction rather than Lola's experience.
The movie does not contain any action or adventure elements.
The film "Women on the Verge of a Nervous Breakdown" is an original screenplay by Pedro Almodóvar. It is not an adaptation, reboot, or biopic, meaning all characters were created for this specific film. Therefore, no character had a pre-established gender to be swapped.
This film is an original screenplay by Pedro Almodóvar, not an adaptation of prior source material or a biopic. Therefore, its characters were not previously established as a specific race in any canon or historical record, precluding the possibility of a race swap.
Combines user and critic ratings from four sources























