The Captive (2025) portrays LGBTQ+ themes through a central 'gay enemies-to-maybe-lovers tale' between Miguel de Cervantes and Hasán Bajá. Cervantes's gay identity is explicitly addressed, and Algiers is depicted with queer elements. Described as a 'bold historical retcon with a queer twist,' the film aims to challenge narratives. While some critics found its execution 'prude,' the overall depiction is intended as provocative and affirming.

The film presents a nuanced view of Christianity through Spanish Catholic characters, including a supportive priest who recognizes talent and a conservative friar whose suspicions might be framed as individual bigotry rather than a condemnation of the faith itself. The narrative appears to affirm positive aspects while critiquing individual flaws within the religious context.

Islam is depicted negatively through Muslim raiders involved in religious crusading, slave trade, and religious fanaticism. The narrative also points out hypocrisy within its adherents, reinforcing a problematic portrayal.