4.4
Viewer Rating
Combines user and critic ratings from four sources
Iron Sky: The Coming Race (2019)
Iron Sky: The Coming Race (2019)
Overview
29 years after the events of Iron Sky, the former Nazi Moonbase has become the last refuge of mankind. Earth was devastated by a nuclear war, but buried deep under the wasteland lies a power that could save the last of humanity - or destroy it once and for all. An old enemy leads our heroes on an adventure into the Hollow Earth. To save humanity, they must battle the Vril, an ancient shapeshifting reptilian race, and their army of dinosaurs.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Leans Left
Diversity: High
LGBTQ: Positive
Female Combat: Yes
Christianity: Negative
Viewer Rating
4.4
Overview
29 years after the events of Iron Sky, the former Nazi Moonbase has become the last refuge of mankind. Earth was devastated by a nuclear war, but buried deep under the wasteland lies a power that could save the last of humanity - or destroy it once and for all. An old enemy leads our heroes on an adventure into the Hollow Earth. To save humanity, they must battle the Vril, an ancient shapeshifting reptilian race, and their army of dinosaurs.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film leans left due to its satirical critique of cults of personality and corporate manipulation, alongside an underlying premise of humanity's self-inflicted environmental catastrophe, which aligns with progressive concerns despite the broad comedic tone.
The movie features a woman of color in the lead protagonist role, marking an intentional and significant casting choice for a major character in a sci-fi action sequel. The narrative, however, focuses on broad political satire and critiques of extremism rather than explicitly framing traditional identities negatively or making DEI themes central to its core message.
Secondary
Iron Sky: The Coming Race features a lesbian protagonist, Obi Washington, whose relationship with her girlfriend, Sasha, is depicted positively. Their queer identity is integrated naturally into the narrative, portrayed as a loving and stable partnership without being a source of conflict or ridicule. The film's overall depiction is affirming and respectful.
The film features Obi Washington, a central character who repeatedly engages in and wins close-quarters physical fights against male opponents, including a Vril warrior and human cultists, using melee weapons and hand-to-hand techniques.
The film features a highly irreverent and satirical portrayal of 'Jesus Christ' as a manipulated figure within the Vril society, used for comedic effect rather than respecting the religious figure or the faith.
Currently, there is not enough information available to accurately assess the film's holistic portrayal of transsexual characters and themes. No specific plot points or character arcs related to transsexual identity could be identified from the available details, preventing a definitive evaluation.
The film features returning characters who maintain their original gender. New characters, such as Obi Washington (daughter of James Washington), are introduced but do not represent a gender swap of an established legacy character from previous installments.
The film introduces new characters like Obi Washington, Sasha, and Malcolm. Returning characters from the previous installment are portrayed by their original actors, maintaining their established races. No character from prior canon or source material has their race changed.
Viewer Rating Breakdown
User Ratings
5.0
5.2
Critic Ratings
2.9
N/A
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