Shrek the Musical, 2013, does not feature any explicitly identifiable LGBTQ+ characters or themes. While certain character traits or songs may be open to allegorical interpretation by some audiences, the narrative itself does not directly address or portray queer identities or experiences. Therefore, there is no direct LGBTQ+ portrayal to evaluate.

Shrek the Musical (2013) does not feature any identifiable transsexual characters or themes. While the story champions themes of self-acceptance and embracing differences among its diverse fairytale creatures, these narratives do not specifically address gender identity or transition. The film's focus remains on general otherness and finding belonging, as exemplified by characters like Pinocchio wanting to be a 'real boy' in the context of being a puppet.

All major and significant minor characters in Shrek the Musical retain their established genders from the original animated film and source material. There are no instances where a character canonically established as one gender is portrayed as a different gender.

The main human and ogre characters (Shrek, Fiona, Lord Farquaad) are portrayed by actors whose race aligns with their established depictions. Non-human characters like Donkey or various fairytale creatures did not have an established human race in the source material, so casting actors of different races for these roles does not constitute a race swap.

Not depicted in the film.