The film features a gay apostle whose journey to find love is central to his arc. While God is depicted as homophobic, his daughter Ea actively works to counter this prejudice, allowing the character to achieve a happy and affirming same-sex relationship. The portrayal is ultimately positive, validating queer love and challenging bigotry.

The film features a transsexual character, François, whose journey of self-discovery and transition is portrayed with dignity and empathy. The narrative affirms her identity, showing her finding happiness and acceptance in her true self and relationships.

The film satirically portrays the traditional Abrahamic God as a cruel, petty, and abusive figure whose arbitrary rules cause human suffering. The narrative critiques institutionalized religion built on fear and dogma, advocating for a more compassionate and individualistic spirituality through the actions of God's daughter.