Jan Svankmajer's experimental stop-motion adaptation of Edgar Allan Poe's short story does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on the psychological decay of Roderick Usher, his sister Madeline, and their ancestral home, without incorporating elements related to sexual orientation or gender identity.

The film does not feature any identifiable transsexual characters or themes. It is an abstract, experimental stop-motion animation that interprets Edgar Allan Poe's story through surreal imagery, focusing on themes of decay, madness, and the psychological impact of an environment. The narrative lacks human characters and does not explore identity in a way that would include transsexual portrayals.

The movie does not contain any action or adventure elements.

The film adapts Edgar Allan Poe's short story. The primary characters—the narrator, Roderick Usher, and Madeline Usher—retain their established genders from the original literary work. No character canonically or historically established as one gender is portrayed as a different gender.

The film utilizes abstract stop-motion animation to depict its characters, rather than human actors. Therefore, there is no instance of a character established as one race being portrayed on screen as a different race.

Not depicted in the film.