2.1
Viewer Rating
Combines user and critic ratings from four sources
The Last Duel (1981)
The Last Duel (1981)
Overview
Lu Shao Fung and Seeman Chelsea start a sword duel over one of the men's wives. Lu pursues Seeman, but loses him. This leads him to spend time in Death Villa, where he is both welcomed and challenged. Death Villa is run by a mysterious man who wears a cane basket on his head, with a bead curtain covering his face. He recruits Lu into his evil scheme....
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Strong Left
Diversity: Moderate
Christianity: Negative
Viewer Rating
2.1
Overview
Lu Shao Fung and Seeman Chelsea start a sword duel over one of the men's wives. Lu pursues Seeman, but loses him. This leads him to spend time in Death Villa, where he is both welcomed and challenged. Death Villa is run by a mysterious man who wears a cane basket on his head, with a bead curtain covering his face. He recruits Lu into his evil scheme....
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly critiques systemic patriarchy and champions female agency and the validation of a woman's truth in the face of sexual violence and societal oppression. Its narrative structure and thematic focus align directly with progressive ideology.
The movie features traditional casting that reflects its historical setting. However, its narrative strongly critiques the patriarchal societal norms and power dynamics of the era, explicitly highlighting the injustices faced by women within that system.
Secondary
The film portrays Christian institutions and some adherents as hypocritical and self-serving, using faith as a facade for power and personal gain. The narrative exposes the corruption within the religious establishment, offering no significant counterbalancing positive portrayal.
This evaluation of 'The Last Duel' (Director: Yun Ling) concludes that there is no identifiable LGBTQ+ content. The film does not feature any queer characters or themes, resulting in a determination of 'N/A' for its portrayal of LGBTQ+ elements.
The film "The Last Duel" is a historical drama set in 14th-century France, focusing on a legal duel and the perspectives surrounding an accusation of rape. There are no identifiable transsexual characters or themes present within the narrative, leading to a determination of N/A for its portrayal.
The film focuses on a historical drama centered around a legal accusation and a trial by combat between two male characters. Female characters, while central to the narrative, are not depicted participating in or winning any direct physical combat against male opponents.
The film "The Last Duel" (1981), directed by Yun Ling, is not a widely documented or recognized production. Without identifiable source material or established characters, it is not possible to determine if any gender swaps occurred according to the provided definition.
The film "The Last Duel (1981)" directed by Yun Ling could not be identified in public databases. Without verifiable information about the film or its characters, it is impossible to assess whether any race swaps occurred.
Viewer Rating Breakdown
User Ratings
4.2
N/A
Critic Ratings
N/A
N/A
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