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The Last Viking (2025)
After serving fourteen years for robbery, Anker is released from prison and reunites with his mentally ill brother Manfred, who alone knows where the stolen money is hidden but has forgotten its location, sending them on a journey to recover the loot and confront who they are.
After serving fourteen years for robbery, Anker is released from prison and reunites with his mentally ill brother Manfred, who alone knows where the stolen money is hidden but has forgotten its location, sending them on a journey to recover the loot and confront who they are.
The film is consistently described as a dark comedy and character study focusing on personal themes of family, identity, trauma, and mental illness within an absurdist framework, with no reliable evidence suggesting an explicit political or ideological agenda.
The movie features some visible diversity in its cast with an actor of non-Danish background alongside a predominantly Danish ensemble. However, there are no explicit DEI themes, critiques of traditional identities, or intentional DEI-driven casting choices noted in the available information.
Based on available plot summaries, reviews, and interviews, 'The Last Viking' does not feature any identifiable LGBTQ+ characters or themes. The film's narrative centers on brotherly relationships, mental illness, and dark comedy, with no noted LGBTQ+ content.
Based on available information, 'The Last Viking' does not feature any identifiable transsexual characters or themes. Plot summaries, cast lists, and reviews consistently omit any mention of transgender community, gender/sexual transformation, or transsexual portrayals, indicating no depiction of such elements within the film's narrative.
The movie does not contain any action or adventure elements.
The film features original characters with no prior source material or historical basis. All characters' on-screen genders align with their original portrayals, and no gender-swapped casting is indicated.
The film is an original screenplay with no prior source material, meaning no characters had an established race before this production. Consequently, no character could have been portrayed as a different race than a previously established one.
Combines user and critic ratings from four sources























