Traditional
8.3
Daniel Boone: The Promised Land
(1961)
Political: Strong Right
Diversity: Low
The Seventh Noon (1915)
The Seventh Noon (1915)
Overview
Young lawyer Peter Donaldson tries to achieve fame by defending a man accused of murder, but the case is complicated by his love for a woman who is a witness for the prosecution.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Young lawyer Peter Donaldson tries to achieve fame by defending a man accused of murder, but the case is complicated by his love for a woman who is a witness for the prosecution.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's core narrative focuses on an individual's personal journey to find meaning and love under the belief of impending death, resolving through personal fulfillment and the triumph of hope over delusion, without engaging in political or societal commentary.
Based on the limited information available for 'The Seventh Noon,' and in the absence of any specific details regarding its cast, characters, or narrative themes, the film is assessed as likely adhering to traditional casting and narrative framing. No explicit DEI elements could be identified or inferred from the provided title and director information.
Secondary
Based on the provided information, no identifiable LGBTQ+ characters or themes were present in "The Seventh Noon." Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
Based on available plot summaries and historical context for this 1915 silent film, there are no identifiable transsexual characters or themes present in "The Seventh Noon." The narrative focuses on a romantic drama without any elements related to transgender identity.
The movie does not contain any action or adventure elements.
No information about the film's source material or characters is available to establish a canonical gender baseline. Therefore, it is not possible to identify any instances of a gender swap.
There is no evidence that any character in the source novel, 'The Seventh Noon' by Frederick Orin Bartlett, was canonically established as one race and then portrayed as a different race in the 1915 film adaptation. The film's casting aligns with the implied racial context of the original work.
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