Viewer Rating
Combines user and critic ratings from four sources
Comedy, Fantasy, Horror • 1987 • 118 min • Adults (18+)

Three restless women in a quaint New England town accidentally conjure a charming, chaotic devil figure, played by Jack Nicholson at his most gleefully unhinged. Based on John Updike's 1984 novel and directed by George Miller, the film frames female desire and supernatural power as tools of liberation from a suffocating patriarchal order. The male antagonist is less a love interest than a cautionary prop the women ultimately outgrow. They end the story as a self-sufficient chosen family, raising children collectively outside conventional marriage. Add a satirical swipe at small-town Christian respectability, and the progressive signals stack up cleanly. Leans Progressive reflects the film's consistent tilt toward female autonomy over traditional domestic arrangements.
Jack Nicholson • Cher • Susan Sarandon
Three restless women in a quaint New England town accidentally conjure a charming, chaotic devil figure, played by Jack Nicholson at his most gleefully unhinged. Based on John Updike's 1984 novel and directed by George Miller, the film frames female desire and supernatural power as tools of liberation from a suffocating patriarchal order. The male antagonist is less a love interest than a cautionary prop the women ultimately outgrow. They end the story as a self-sufficient chosen family, raising children collectively outside conventional marriage. Add a satirical swipe at small-town Christian respectability, and the progressive signals stack up cleanly. Leans Progressive reflects the film's consistent tilt toward female autonomy over traditional domestic arrangements.
Jack Nicholson • Cher • Susan Sarandon
The film's dominant themes align with progressive values by portraying female liberation from patriarchal constraints and celebrating collective female empowerment against a manipulative male figure, which is the decisive factor for its rating.
The movie features a predominantly traditional cast without explicit DEI-driven recasting. However, its narrative strongly critiques traditional male identities and patriarchal societal structures, portraying the central male figure as an antagonist and exploring themes of female empowerment against these norms.
The film portrays three single mothers who reject traditional male partners and societal norms to form a self-sufficient, all-female chosen family unit, collectively raising their children and embracing sexual freedom, thereby strongly endorsing progressive family structures and values.
The film satirizes the hypocrisy and judgmentalism of the conservative, puritanical Christian community in Eastwick, particularly through the character of Felicia Alden. This rigid morality is portrayed as oppressive, destructive, and foolish by the narrative.
The Witches of Eastwick does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on three heterosexual women and their relationship with a male antagonist, exploring themes of female empowerment and sexual liberation within a strictly heterosexual framework.
The Witches of Eastwick does not feature any identifiable transgender characters or themes. The story focuses on three women in a small New England town who unwittingly summon a mysterious, charismatic man, leading to the development of their latent powers and a series of supernatural events. The film's scope does not include any exploration of transsexual identity.
The movie does not contain any action or adventure elements.
The film is an adaptation of a novel. All major characters, including the three witches and Daryl Van Horne, maintain the same gender as established in the original source material. No character's gender was altered for the screen adaptation.
The film adapts the 1984 novel by John Updike. The main characters—Daryl Van Horne, Alexandra Medford, Jane Spofford, and Sukie Rougemont—are portrayed by actors whose race aligns with the implied racial descriptions of these characters in the original source material.
Not depicted in the film.
Combines user and critic ratings from four sources























