Viewer Rating
Combines user and critic ratings from four sources

Good Fortune (2025)
A well-meaning but rather inept angel named Gabriel meddles in the lives of a struggling gig worker and a wealthy capitalist.
A well-meaning but rather inept angel named Gabriel meddles in the lives of a struggling gig worker and a wealthy capitalist.
The film's central thesis explicitly promotes a progressive ideology by critiquing wealth inequality, systemic poverty, and the exploitative nature of the gig economy, with a 'tech bro' venture capitalist as an antagonist.
The movie features a visibly diverse cast, including leads Aziz Ansari and Keke Palmer, and explores themes of systemic poverty and wealth disparity. The narrative critiques societal structures rather than explicitly focusing on or negatively portraying traditional identities.
Based on available information, 'Good Fortune, 2025' does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on a heterosexual romance and broader societal issues like class disparity and the gig economy, with no mention of queer identities or relationships in reviews, synopses, or official descriptions.
Based on current information, 'Good Fortune' does not feature transsexual characters or themes. The film's narrative centers on an angel swapping the lives of a gig worker and a venture capitalist to explore economic disparity, with no elements suggesting the inclusion of transsexual identities or related plot points.
The movie does not contain any action or adventure elements.
The provided information explicitly states that no characters in "Good Fortune" (2025) have an on-screen gender that differs from their established gender in source material or historical record.
The film "Good Fortune" is based on an original screenplay with no prior literary or historical source material. All characters are new creations for this film, therefore, no character can be considered a "race swap" from a pre-existing depiction.
Combines user and critic ratings from four sources























