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Romance, Drama, Western • 2021 • 105 min • Adults (18+)

Set on the isolated American frontier in 1856, this period drama follows two neighboring women whose friendship deepens into romantic love despite the harsh constraints of 19th-century marriage and rural life. The film earns a Leans Progressive label from two main forces. First, it centers a same-sex relationship and frames it with dignity, treating the emotional bond as genuine and worthy rather than scandalous. Second, the traditional marriages surrounding these women are portrayed as cold and limiting, implicitly critiquing patriarchal domestic life. Christianity registers as a negative presence in the story. The frontier setting gives the film a quiet, austere mood, but the values underneath it lean clearly in one direction.
Katherine Waterston • Vanessa Kirby • Casey Affleck
Set on the isolated American frontier in 1856, this period drama follows two neighboring women whose friendship deepens into romantic love despite the harsh constraints of 19th-century marriage and rural life. The film earns a Leans Progressive label from two main forces. First, it centers a same-sex relationship and frames it with dignity, treating the emotional bond as genuine and worthy rather than scandalous. Second, the traditional marriages surrounding these women are portrayed as cold and limiting, implicitly critiquing patriarchal domestic life. Christianity registers as a negative presence in the story. The frontier setting gives the film a quiet, austere mood, but the values underneath it lean clearly in one direction.
Katherine Waterston • Vanessa Kirby • Casey Affleck
The film's narrative critiques the oppressive patriarchal structures of 19th-century society and champions forbidden same-sex love as a path to emotional and personal liberation, aligning with progressive values.
The movie features a traditional cast in terms of race and gender for its historical setting. Its narrative explores a same-sex relationship between two women, subtly critiquing the restrictive societal norms and patriarchal structures of the 19th century without explicitly portraying traditional identities as negative.
The film centers on the romantic relationship between two women in 19th-century America, portraying their love with dignity and complexity. Despite societal constraints and a tragic element, the narrative affirms the profound worth and beauty of their connection, framing obstacles as external forces rather than inherent flaws in their queer identity.
The film critiques traditional heterosexual marriages and gender roles of the 19th century as unfulfilling and restrictive, while celebrating a passionate same-sex relationship as a source of profound emotional and sexual liberation for the women involved.
The film portrays the rigid, patriarchal, and often joyless societal norms of 19th-century rural America, which are deeply intertwined with a conservative interpretation of Christianity. These norms contribute to the characters' isolation, suffering, and the suppression of their true desires, particularly for women and their non-heteronormative love. The narrative implicitly critiques the oppressive aspects of this religious framework.
The World to Come does not feature any identifiable transsexual characters or themes. The story focuses entirely on the intense romantic and emotional bond between two cisgender women, Abigail and Tallie, navigating their lives and desires within the constraints of 19th-century society. The film explores themes of love, longing, and female relationships without touching upon transgender identity.
The movie does not contain any action or adventure elements.
The film is an adaptation of a short story. The genders of all named characters in the film are consistent with their portrayals and established genders in the original source material. No characters established as one gender in the story are depicted as a different gender in the film.
The film is an adaptation of a short story set in 19th-century upstate New York. The main characters, implicitly white in the source material and historical context, are portrayed by white actors in the film. No character's race was changed from its established baseline.
Not depicted in the film.
Combines user and critic ratings from four sources























