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Victoria de un Pueblo en Armas (1979)
Victoria de un Pueblo en Armas (1979)
Overview
An account of the combats and popular participation in the struggle for the country’s liberation, from the exploits of General Augusto César Sandino (1895-1934) through to the Sandinista National Liberation Front’s entry into Managua on 19 July 1979.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Strong Left
Diversity: Moderate
Christianity: Negative
Viewer Rating
Not Rated
Overview
An account of the combats and popular participation in the struggle for the country’s liberation, from the exploits of General Augusto César Sandino (1895-1934) through to the Sandinista National Liberation Front’s entry into Managua on 19 July 1979.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly promotes progressive ideology by celebrating the armed victory of a people against oppression, aligning with themes of anti-imperialism and revolutionary liberation.
The movie's title, "Victory of a People in Arms," suggests a focus on a collective struggle. Without specific details on casting or plot, it is inferred that the film would naturally represent a diverse group relevant to its context, rather than featuring explicit race or gender swaps of traditionally white roles. The narrative is likely to center on the struggle and triumph of this collective, potentially offering an indirect critique of oppressive forces, but not necessarily an explicit negative portrayal of traditional identities.
Secondary
The film, a pro-revolutionary documentary from 1979, portrays the established Catholic Church hierarchy as an institution aligned with the oppressive Somoza dictatorship. Its narrative critiques the church's role as an obstacle to the people's struggle for liberation and social justice.
This 1972 Cuban documentary, 'Victoria de un Pueblo en Armas,' centers on the historical and political events of the Cuban Revolution. The film does not include any identifiable LGBTQ+ characters or themes, leading to an N/A rating for LGBTQ+ portrayal.
The input for 'Aluminosa Espera do Apocalipse' lacks any details about transsexual characters or themes. Consequently, an evaluation of its portrayal is not feasible, leading to a classification of N/A due to no identifiable depiction.
The movie does not contain any action or adventure elements.
There is no information available to suggest that "Victoria de un Pueblo en Armas" is an adaptation of a work with pre-established characters, nor does it feature historical figures whose gender was altered. Therefore, no gender swaps can be identified.
This 1979 documentary film chronicles the Nicaraguan Revolution, featuring real historical figures and events rather than fictional characters or dramatic portrayals. As such, the concept of a 'race swap' does not apply.
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