5.3
Viewer Rating
Combines user and critic ratings from four sources
We Take Everything Upon Ourselves (1981)
We Take Everything Upon Ourselves (1981)
Overview
During the final months of the World War II, a group of special forces sailors, under the command of Lieutenant Balandin, receives a secret order of special importance to destroy enemy tankers, seaplanes and gun installations to ensure the free landing of their troops.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Viewer Rating
5.3
Overview
During the final months of the World War II, a group of special forces sailors, under the command of Lieutenant Balandin, receives a secret order of special importance to destroy enemy tankers, seaplanes and gun installations to ensure the free landing of their troops.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film champions themes of national duty, patriotism, and self-sacrificing heroism in the face of an external threat, aligning with traditional conservative values of national defense and individual responsibility within a collective struggle.
Based on its likely Soviet-era origin, the film is expected to feature traditional casting reflective of its time and region. The narrative is not anticipated to critique traditional identities or incorporate modern diversity, equity, and inclusion themes.
Secondary
Based on the information provided, the film 'Beryom vsyo na sebya' does not appear to feature any identifiable LGBTQ+ characters or themes. Therefore, its net impact on LGBTQ+ portrayal is N/A.
The film "We Take Everything Upon Ourselves" does not feature any identifiable transsexual characters or themes. Consequently, there is no portrayal to evaluate against the rubric, resulting in a determination of N/A for its net impact.
The film focuses on a group of male Soviet intelligence agents during WWII. While female characters are present in supporting roles, they are not depicted engaging in or winning direct physical combat against male opponents. Their roles do not involve action sequences of this nature.
The 1981 Soviet film "Beryom vsyo na sebya" is an original war drama. Its characters were created specifically for this production and are not based on pre-existing figures from literature, history, or earlier media. Therefore, no character's gender was changed from a previously established canon.
This is an original Soviet-era adventure film, not an adaptation of existing material or a biopic. Therefore, there are no pre-established characters whose race could have been altered.
Viewer Rating Breakdown
User Ratings
5.5
5.0
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
6.6
Treasure
(1988)
Political: Center
Diversity: Low
Traditional
7.1
We Looked in the Death's Face
(1980)
Political: Leans Right
Diversity: Low
Traditional
7.5
The Cold Summer of 1953
(1988)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
Gunpowder
(1985)
Political: Center
Diversity: Low
Leans Traditional
6.7
Descended From Heaven
(1987)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Last Samurai
(2003)
Political: Leans Right
Diversity: Moderate
Traditional
7.7
Braveheart
(1995)
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mystery of Edwin Drood
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.6
Mirror for a Hero
(1987)
Political: Center
Diversity: Low
Traditional
7.5
Black Hawk Down
(2001)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
The Warrior
(2001)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
A Sentimental Trip to Potatoes
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.7
Whose Are You, Old People?
(1988)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Eight Hundred
(2020)
Political: Leans Right
Diversity: Moderate
Center
7.4
Kingdom
(2019)
Political: Leans Right
Diversity: Moderate
Female Combat: Yes
Leans Traditional
7.5
First Blood
(1982)
Political: Center
Diversity: Low
Leans Traditional
6.9
Juno and Avos
(1983)
Political: Center
Diversity: Low
Leans Traditional
6.7
The Black Castle Olshansky
(1984)
Political: Center
Diversity: Low
Traditional
7.0
T-34
(2018)
Political: Leans Right
Diversity: Low