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Yoroï (2025)
After a gruelling final tour, Aurélien decides to settle in Japan with his wife Nanako, who is pregnant with their first child. As the young couple move into a traditional house in the Japanese countryside, Aurélien discovers an ancient suit of armour in a well, which is about to awaken strange creatures known as Yokaïs.
After a gruelling final tour, Aurélien decides to settle in Japan with his wife Nanako, who is pregnant with their first child. As the young couple move into a traditional house in the Japanese countryside, Aurélien discovers an ancient suit of armour in a well, which is about to awaken strange creatures known as Yokaïs.
The film's central focus on personal introspection, mental health struggles, and the challenges of adult responsibilities, particularly paternity, is presented without explicit political commentary or alignment with any specific ideological viewpoint.
The movie features a diverse cast, including a Japanese wife and supporting Japanese actors, reflecting its setting and cultural themes. The narrative focuses on the lead character's personal journey and anxieties, incorporating Japanese folklore and culture in a respectful manner, without explicitly critiquing traditional identities or making DEI themes central to its core message.
Based on available information, 'Yoroï, 2025' does not appear to feature any identifiable LGBTQ+ characters or themes. Plot details focus on a heterosexual couple and themes of fatherhood and personal fears, with no references to LGBTQ+ elements found in reviews or synopses.
Based on all available information, the film Yoroï does not appear to feature any transsexual characters or explore themes related to gender and sexual transformation. The narrative focuses on a man moving to Japan, discovering ancient armor, and dealing with paternity fears and Japanese folklore, without any identified elements pertaining to transsexual portrayals.
The available plot details indicate that the male protagonist, Aurélien, fights yokai creatures. No information suggests that any female character, including Nanako, engages in or wins close-quarters physical combat against male opponents.
The provided information explicitly states that no characters in the film "Yoroï" (2025) have an on-screen gender that differs from their established gender in source material or historical record.
The film "Yoroï (2025)" is an original production with no prior source material. All characters are newly created for this film, meaning none had a pre-established race to be swapped from.
Combines user and critic ratings from four sources























