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The Return (2024)
After twenty years away, Odysseus washes up on the shores of Ithaca, haggard and unrecognizable. The king has finally returned home, but much has changed in his kingdom since he left to fight in the Trojan war.
After twenty years away, Odysseus washes up on the shores of Ithaca, haggard and unrecognizable. The king has finally returned home, but much has changed in his kingdom since he left to fight in the Trojan war.
The film's central thesis explicitly promotes a progressive, anti-war, and socially conscious ideology by focusing on the human cost of conflict, the suffering of the vulnerable, and critiques of militarism.
The movie features traditional casting with no apparent intentional efforts to diversify beyond the mythological framework. Its narrative explores universal themes of trauma, identity, and family, and while it touches on themes that may resonate with marginalized communities, it does not explicitly critique traditional identities or center strong DEI themes.
The Return portrays its transsexual character, Emilia, through a problematic lens, emphasizing themes of deception and spectacle tied to her trans identity. The film reinforces transphobic tropes by linking Emilia's violence to her 'male self' and pre-transition identity. Its inconsistent and often inaccurate depiction reflects a limited understanding of trans experiences, failing to offer a nuanced or affirming representation.
The film features Eurycleia, a loyal attendant, who engages in and wins a direct hand-to-hand physical confrontation against a male suitor. Penelope's role is strategic and non-combative.
Antinous, a canonically Greek nobleman, is portrayed by an actor of Tunisian-Dutch (North African/Arab) heritage. This casting introduces a distinct ethnic and phenotypical background not reflective of ancient Greek ethnicity, constituting a race swap.
The Return (2024) is a psychological drama retelling the Odyssey, focusing on heterosexual family and political conflict. The film does not explicitly or implicitly portray LGBTQ+ characters or themes, centering instead on loyalty, identity, and the harsh realities of war's aftermath. Therefore, there is no LGBTQ+ depiction.
Based on the provided information, all major characters in "The Return" (2024) maintain their canonical genders from Homer's *Odyssey*. There is no indication of any character's on-screen gender differing from their established gender in the source material.
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