Viewer Rating
Combines user and critic ratings from four sources
The young energetic Lyudmila Petrovna Nikitina, who worked as a milkmaid on the farm, decided to radically change her life. Settling the head of a rural furniture store, she sold a cow, pigs, sheep, and even invited the sons of a music teacher from the city, violinist Valerian Sergeyevich, to her sons. Her husband Theodosius, a collective farm carpenter, is not able to reason with his wife, but at the same time he does not intend to put up with the new order. To Lyudmila Petrovna’s surprise, the music teacher, who had a taste for village life, also fell under the influence of Theodosius. Once, having seized children, the men fled home. With difficulty, Lyudmila Petrovna was able to restore the broken family peace, and the wife of Valerian Sergeyevich to return his husband home.
The young energetic Lyudmila Petrovna Nikitina, who worked as a milkmaid on the farm, decided to radically change her life. Settling the head of a rural furniture store, she sold a cow, pigs, sheep, and even invited the sons of a music teacher from the city, violinist Valerian Sergeyevich, to her sons. Her husband Theodosius, a collective farm carpenter, is not able to reason with his wife, but at the same time he does not intend to put up with the new order. To Lyudmila Petrovna’s surprise, the music teacher, who had a taste for village life, also fell under the influence of Theodosius. Once, having seized children, the men fled home. With difficulty, Lyudmila Petrovna was able to restore the broken family peace, and the wife of Valerian Sergeyevich to return his husband home.
The film's content, themes, and narrative are entirely unknown, precluding any specific identification of political bias and thus resulting in a neutral rating.
Based on the absence of specific content details, this evaluation assumes a default approach to casting and narrative. The film is presumed to feature traditional casting without explicit diversity initiatives and a narrative that does not critically portray traditional identities or center DEI themes.
Based on the information provided, there are no identifiable LGBTQ+ characters or themes present in the film 'God telyonka'. Therefore, an evaluation of its portrayal is not applicable.
The film "{Year of a Calf}" does not appear to include any transsexual characters or themes. Information from plot summaries and reviews indicates the narrative focuses on a young woman's experiences on a collective farm, with no mention of transgender identity or related issues. Therefore, the film's net impact on this specific aspect is N/A.
The movie does not contain any action or adventure elements.
The film "God telyonka" (1986) is an original Soviet comedy. Its characters were created for this specific film and do not have pre-established genders from prior source material or historical records. Therefore, no gender swap occurs.
This 1986 Soviet comedy film features original characters and is not an adaptation of source material with pre-established racial identities. There is no evidence of any character being canonically, historically, or widely established as one race and then portrayed as a different race in the film.
Combines user and critic ratings from four sources