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Combines user and critic ratings from four sources
Forty-year-old researcher Pavel is still single. And not because he likes to be free and unmarried, but because he is very indecisive - he does not know how to meet girls. Pavel’s parents are sounding the alarm - they really want to give their son "in good hands" and see their grandchildren. But he doesn’t like those girls whom Pavel’s mother is wooing. And then one day a master takes over - a cheerful, battered and excessively sociable brother of Pavel — Gennady. He has in his arsenal one effective way to get acquainted with any girl he likes, to interest her in his persona. Gennady is getting into a rage so much that he almost gets married, forgetting about the watchful wife, who always stands guard over their long marriage...
Forty-year-old researcher Pavel is still single. And not because he likes to be free and unmarried, but because he is very indecisive - he does not know how to meet girls. Pavel’s parents are sounding the alarm - they really want to give their son "in good hands" and see their grandchildren. But he doesn’t like those girls whom Pavel’s mother is wooing. And then one day a master takes over - a cheerful, battered and excessively sociable brother of Pavel — Gennady. He has in his arsenal one effective way to get acquainted with any girl he likes, to interest her in his persona. Gennady is getting into a rage so much that he almost gets married, forgetting about the watchful wife, who always stands guard over their long marriage...
The film primarily focuses on universal themes of personal relationships, loneliness, and the search for love, with a solution rooted in individual self-discovery and authentic connection, rather than promoting any specific political ideology or critiquing societal structures from a political standpoint.
This Soviet-era romantic comedy features casting that is traditional for its time and cultural context, primarily reflecting the dominant demographics without intentional race or gender swaps. The narrative focuses on a personal quest within established social norms, and does not present critical portrayals of traditional identities or incorporate explicit DEI themes.
The film 'Gde nakhoditsya Nofelet?' does not feature any identifiable LGBTQ+ characters or themes. Its plot revolves entirely around heterosexual relationships and comedic situations, leading to a determination of N/A for LGBTQ+ portrayal.
The film "Where Is Enohp Located?" does not feature any identifiable transsexual characters or themes. The narrative focuses on a middle-aged man's comedic attempts to find a wife, with no elements related to transgender identity present in the plot or character portrayals.
The movie does not contain any action or adventure elements.
This film is an original Soviet comedy from 1988, not an adaptation, biopic, or reboot. All characters were created for this specific movie, meaning there is no prior canonical or historical gender baseline from which a character's gender could have been swapped.
This is an original Soviet comedy film, not an adaptation of prior material or a biopic. There are no pre-existing canonical character races or historical figures to compare against, thus no race swap can occur.
Combines user and critic ratings from four sources