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In this farcical dark comedy/melodrama, Lena manages to lose her place at college by virtue of throwing a minor hissy-fit when she catches her erstwhile boyfriend in bed with another girl. Instead of penalizing the boy for his behavior, Lena gets stuck with a court appearance and must pay a small fine, in addition to losing a boyfriend, her college career, and an apartment. Lena belongs to a film club which occasionally hands out awards, and the membership of it decides to send her into the Russian hinterlands to hand out an award to an obscure filmmaker. Throughout the film, Lena has been associated with a bizarre con man named Stepanych who, when his cons fall through, comes to her in the distant town she has gone to seeking her help in committing suicide.
In this farcical dark comedy/melodrama, Lena manages to lose her place at college by virtue of throwing a minor hissy-fit when she catches her erstwhile boyfriend in bed with another girl. Instead of penalizing the boy for his behavior, Lena gets stuck with a court appearance and must pay a small fine, in addition to losing a boyfriend, her college career, and an apartment. Lena belongs to a film club which occasionally hands out awards, and the membership of it decides to send her into the Russian hinterlands to hand out an award to an obscure filmmaker. Throughout the film, Lena has been associated with a bizarre con man named Stepanych who, when his cons fall through, comes to her in the distant town she has gone to seeking her help in committing suicide.
The film critiques the moral decay and pervasive corruption within a failing state-socialist system, implicitly aligning with skepticism of large government and highlighting the consequences of a society losing its moral compass, thus leaning right.
This 1989 Soviet film features a traditional cast and narrative, consistent with its historical and cultural context. It does not incorporate explicit DEI-driven casting or narrative elements that critique traditional identities, focusing instead on broader societal and individual themes.
The film 'V gorode Sochi tyomnye nochi' does not feature any identifiable LGBTQ+ characters or themes within its narrative. Its plot centers on social commentary and heterosexual relationships, resulting in a net impact rating of N/A due to the absence of depiction.
The film "How Dark the Nights Are on the Black Sea" (1989) does not feature any identifiable transsexual characters or themes. Its narrative focuses on a young woman's experiences in a small Soviet town, without any depiction or discussion related to transgender identity.
The movie does not contain any action or adventure elements.
This 1989 Soviet film features an original screenplay and characters. There is no evidence of it being an adaptation, reboot, or biopic with pre-existing characters whose gender could have been altered. Therefore, no gender swap occurs.
This is an original Soviet film from 1989, not an adaptation of pre-existing material or a biopic. Its characters were created for this film and thus had no prior established race to be swapped from.
Combines user and critic ratings from four sources