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Anna and the King (1972)
A stern schoolteacher clashes with an aristocratic 19th-century king.
A stern schoolteacher clashes with an aristocratic 19th-century king.
The film leans left by presenting a narrative where progressive Western ideals, introduced by Anna, serve as the catalyst for the King's enlightenment and the reform of traditional, autocratic practices, particularly concerning human rights and education.
The movie features a cast that reflects the historical and cultural setting, with a white protagonist and a predominantly Asian supporting cast for the Siamese court, without explicit race or gender swaps of traditionally white roles. The narrative explores cultural differences and mutual understanding, offering a subtle critique of traditional practices and colonial perspectives without explicitly portraying traditional Western identities negatively.
Buddhism is depicted as the deeply ingrained and respected spiritual and cultural foundation of Siam, embodying the wisdom and traditions of the King and his people. The narrative highlights its significance without critique.
The film portrays Anna Leonowens' Christian faith as a source of her strong moral compass and conviction, which guides her actions and beliefs. It is presented respectfully as her personal spiritual foundation.
Anna and the King is a historical drama centered on a British teacher in 19th-century Siam. The film's narrative focuses on cultural exchange and political intrigue, and it does not feature any discernible LGBTQ+ characters or themes, resulting in an N/A portrayal.
The film 'Anna and the King' does not feature any transsexual characters or themes. Its narrative is centered on historical events and cultural interactions in 19th-century Siam, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
The 1972 show "Anna and the King" is an adaptation of a historical account and novel. All major characters, including Anna Leonowens and King Mongkut, retain their historically and canonically established genders in this adaptation.
Anna Leonowens, a historically white character, is portrayed by a white actress. King Mongkut, a historically Asian character, is portrayed by Yul Brynner, an actor of mixed heritage who consistently played Asian roles. This casting does not constitute a change in broader racial category.
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