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Combines user and critic ratings from four sources

Brooklyn Nine-Nine (2013)
A single-camera ensemble comedy following the lives of an eclectic group of detectives in a New York precinct, including one slacker who is forced to shape up when he gets a new boss.
A single-camera ensemble comedy following the lives of an eclectic group of detectives in a New York precinct, including one slacker who is forced to shape up when he gets a new boss.
The show consistently addresses systemic issues within law enforcement, such as racism and sexism, and champions internal reform, diversity, and progressive leadership, aligning its dominant themes with left-leaning social justice values.
The series demonstrates significant diversity through its casting, featuring a prominent ensemble of characters from various racial and LGBTQ+ backgrounds in roles that often subvert traditional portrayals. Its narrative frequently explores and critiques systemic issues such as racism, homophobia, and sexism within institutional settings, making these themes central to its storytelling.
Brooklyn Nine-Nine features prominent LGBTQ+ characters, Captain Raymond Holt and Rosa Diaz, whose identities are portrayed with dignity, complexity, and agency. Their arcs address challenges like prejudice and coming out with empathy and support, consistently affirming the worth of LGBTQ+ lives and relationships.
The show portrays Christianity, particularly Catholicism through Amy Santiago, as a source of strong moral values and personal identity, without ridiculing the faith itself. While characters may have quirks related to their faith, the narrative consistently frames it respectfully.
Judaism is depicted positively through characters like Jake Peralta and Charles Boyle, whose Jewish heritage and traditions are shown as integral and celebrated parts of their identities and family lives. The portrayal is light-hearted and affirming of cultural and religious background.
Brooklyn Nine-Nine does not feature any explicitly identifiable transsexual characters or themes within its narrative. While the show is celebrated for its broader LGBTQ+ representation through characters like Captain Holt and Rosa Diaz, it does not directly address trans identities or experiences as part of its storyline.
The movie does not contain any action or adventure elements.
Brooklyn Nine-Nine is an original television series, not an adaptation or reboot of pre-existing material. All characters were created for the show, establishing their genders within its own canon from the outset. Therefore, no characters were gender-swapped from a prior established version.
Brooklyn Nine-Nine is an original sitcom, not an adaptation of pre-existing material or a historical depiction. All characters were created for the show, meaning there was no prior canonical or historical race to be altered. Therefore, no race swaps occurred.
Combines user and critic ratings from four sources























