7.7
Viewer Rating
Combines user and critic ratings from four sources
Gunbuster (1988)
Gunbuster (1988)
Overview
In the near future, humanity has taken its first steps towards journeying into the far reaches of the galaxy. Upon doing so they discover a huge race of insectoid aliens known as "Space Monsters." These aliens seem dedicated to the eradication of mankind as they near closer and closer to discovering Earth. In response, humanity develops giant fighting robots piloted by hand-picked youth from around the world. Shortly after the discovery of the aliens, Noriko Takaya, the daughter of a famous deceased space captain, enters a training school despite her questionable talents as a pilot. There, she meets her polar opposite, the beautiful and talented Kazumi Amano, and is unexpectedly made to work together with her as they attempt to overcome the trauma of war as well as their own emotions.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Center
Diversity: Moderate
LGBTQ: Positive
Viewer Rating
7.7
Overview
In the near future, humanity has taken its first steps towards journeying into the far reaches of the galaxy. Upon doing so they discover a huge race of insectoid aliens known as "Space Monsters." These aliens seem dedicated to the eradication of mankind as they near closer and closer to discovering Earth. In response, humanity develops giant fighting robots piloted by hand-picked youth from around the world. Shortly after the discovery of the aliens, Noriko Takaya, the daughter of a famous deceased space captain, enters a training school despite her questionable talents as a pilot. There, she meets her polar opposite, the beautiful and talented Kazumi Amano, and is unexpectedly made to work together with her as they attempt to overcome the trauma of war as well as their own emotions.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central conflict, humanity's struggle for survival against an alien threat, is inherently broad and does not align with a specific political ideology. The narrative's solution emphasizes universal themes of collective action, personal sacrifice, and technological ingenuity, rather than promoting distinct left or right-leaning political philosophies.
The movie features a visibly diverse international human cast, reflecting different nationalities without explicitly recasting traditionally white roles. Its narrative focuses on universal themes of growth and heroism, portraying traditional identities in a neutral to positive light without explicit critique.
Secondary
Gunbuster features a profoundly depicted, central bond between its two female protagonists, Noriko and Kazumi. This relationship, often interpreted as queer subtext, is portrayed with dignity, complexity, and as a powerful source of strength and heroism. The narrative consistently affirms the worth and significance of their love and sacrifice, resulting in a net positive portrayal.
Gunbuster (1988) does not feature any identifiable transsexual characters or themes. The narrative primarily focuses on mecha combat, character development, and sci-fi concepts, without engaging with gender identity in this specific context. Therefore, there is no portrayal to evaluate.
The show features female characters who pilot giant robots in combat against alien monsters. Their victories are achieved through advanced technological superiority and ranged weaponry, not through direct physical combat or martial arts against male human opponents.
Gunbuster is an original anime series from 1988, not an adaptation or reboot of pre-existing material. All characters were created for this specific production, meaning there is no prior canon for their gender to be swapped from.
Gunbuster is an original anime OVA series from 1988. All characters were created for this specific production, meaning there is no prior source material or historical record to establish a different canonical race for any character. Therefore, no race swaps occur.
Viewer Rating Breakdown
User Ratings
7.7
7.6
Critic Ratings
N/A
N/A
More Like This
Center
7.7
Dragon Ball Z: Bardock - The Father of Goku
(1990)
Political: Center
Diversity: Moderate
Female Combat: Yes
Progressive
8.1
Tokyo Godfathers
(2003)
Political: Center
Diversity: High
LGBTQ: Positive
Leans Progressive
6.6
Kite
(1998)
Political: Center
Diversity: High
Female Combat: Yes
Leans Progressive
6.7
Pokémon: Arceus and the Jewel of Life
(2009)
Political: Leans Left
Diversity: Moderate
Leans Progressive
6.7
Fate/Grand Order the Movie: Divine Realm of the Round Table: Camelot 1 Wandering; Agateram
(2020)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Leans Progressive
8.4
Nausicaä of the Valley of the Wind
(1984)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Leans Progressive
6.7
Venus Wars
(1989)
Political: Leans Left
Diversity: Moderate
Center
7.7
Ghost in the Shell: Stand Alone Complex - Solid State Society
(2007)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
7.3
Inuyasha the Movie: Affections Touching Across Time
(2001)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
7.1
Vampire Hunter D: Bloodlust
(2001)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
7.6
Barefoot Gen
(1983)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.3
Neon Genesis Evangelion: Death and Rebirth
(1997)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
8.4
Princess Mononoke
(1997)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Leans Progressive
8.3
Castle in the Sky
(1986)
Political: Leans Left
Diversity: Moderate
Progressive
6.7
Armitage III: Poly Matrix
(1996)
Political: Strong Left
Diversity: High
Leans Progressive
7.0
Dead Leaves
(2004)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.3
Fullmetal Alchemist the Movie: Conqueror of Shamballa
(2005)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Center
7.5
Inuyasha the Movie 2: The Castle Beyond the Looking Glass
(2002)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
8.2
Ghost in the Shell
(1995)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
7.7
Pom Poko
(1994)
Political: Leans Left
Diversity: Moderate