Viewer Rating
Combines user and critic ratings from four sources

Hell on Wheels (2011)
The epic story of post-Civil War America, focusing on Cullen Bohannon, a Confederate soldier who sets out to exact revenge on the Union soldiers who killed his wife. His journey takes him west to Hell on Wheels, a dangerous, raucous, lawless melting pot of a town that travels with and services the construction of the first transcontinental railroad, an engineering feat unprecedented for its time.
The epic story of post-Civil War America, focusing on Cullen Bohannon, a Confederate soldier who sets out to exact revenge on the Union soldiers who killed his wife. His journey takes him west to Hell on Wheels, a dangerous, raucous, lawless melting pot of a town that travels with and services the construction of the first transcontinental railroad, an engineering feat unprecedented for its time.
The series offers a complex, morally ambiguous portrayal of post-Civil War westward expansion, depicting both the exploitation and violence against marginalized groups and the relentless drive for progress and individual survival, without championing a specific ideological solution.
The series features visible diversity in its cast, reflecting the historical period without explicit race or gender swaps of traditionally white roles. Its narrative strongly critiques traditional identities and actions, explicitly portraying the negative impacts of white expansion and systemic injustices on marginalized groups, making these themes central to the story.
Hell on Wheels features LGBTQ+ characters like Elam Ferguson and Louise Ellison. Elam's same-sex relationship is portrayed with dignity and emotional depth, not as a source of mockery or villainy. While the characters face numerous challenges, their queer identity is not presented as the cause of their suffering or as inherently negative, contributing to a respectful and empathetic portrayal.
The show offers a complex and often critical examination of Christian adherents and institutions, exposing hypocrisy and violence. However, it also portrays genuine struggles for faith, redemption, and moral guidance, suggesting the enduring human search for meaning within the faith, rather than condemning the faith itself.
Judaism is portrayed with respect, highlighting its strong community, traditions, and resilience. The narrative treats Jewish characters and customs as a legitimate and valued part of the diverse frontier society.
Hell on Wheels does not feature any identifiable transsexual characters or explore themes related to transsexual identity. The narrative focuses on the construction of the First Transcontinental Railroad and the lives of its diverse inhabitants in the post-Civil War American West.
The show features strong female characters who navigate a dangerous frontier environment. However, there are no instances where a female character is depicted as victorious in close-quarters physical combat against one or more male opponents using skill, strength, or melee weapons.
Hell on Wheels is an original historical drama series. Its main characters were created for the show, and any historical figures depicted maintain their documented genders, therefore no gender swaps are present.
Hell on Wheels is an original series, not an adaptation of prior source material with established character races. Historical figures depicted, such as Thomas Durant, are portrayed by actors matching their documented race. There are no instances of characters being portrayed as a different race than previously established.
Combines user and critic ratings from four sources























