6.9
Viewer Rating
Combines user and critic ratings from four sources
Ironside (1967)
Ironside (1967)
Overview
When an assassin's bullet confines him to a wheelchair for life ending his career as Chief of Detectives, Robert T. Ironside becomes a consultant to the police department. Detective Sergeant Ed Brown and policewoman Eve Whitfield join with him to crack varied and fascinating cases. Ex-con Mark Sanger is employed by the chief as home help but eventually becomes a fully fledged member of the team also. Officer Whitfield leaves after 4 years service, and is replaced by Officer Fran Belding.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Trans: Negative
Christianity: Positive
Viewer Rating
6.9
Overview
When an assassin's bullet confines him to a wheelchair for life ending his career as Chief of Detectives, Robert T. Ironside becomes a consultant to the police department. Detective Sergeant Ed Brown and policewoman Eve Whitfield join with him to crack varied and fascinating cases. Ex-con Mark Sanger is employed by the chief as home help but eventually becomes a fully fledged member of the team also. Officer Whitfield leaves after 4 years service, and is replaced by Officer Fran Belding.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The series focuses on the practical application of justice within the established legal system, balancing the need for law and order with a nuanced exploration of social issues and individual circumstances, thus maintaining a neutral political stance.
The series features visible diversity through a prominent Black supporting character and a lead character with a disability. The narrative focuses on crime-solving and justice, portraying traditional identities in a neutral to positive light without explicit critique.
Secondary
The 1967 Ironside episode 'The Macabre Mr. Micawber' features a deceased character whose secret trans identity and gender-affirming surgery become the central, sensationalized mystery. The portrayal frames trans identity as a hidden, scandalous secret leading to tragedy, lacking dignity or affirmation. The net impact is negative due to the problematic framing and punitive outcome.
In a typical 1960s American crime drama, Christian characters and institutions often serve as moral anchors or community support, with the narrative generally portraying the faith with respect and dignity. Even when individual characters are flawed, the overall message does not condemn the religion itself.
The television series "Ironside" does not feature any identifiable LGBTQ+ characters or themes within its narrative. Research indicates no explicit or implicit representation of queer identities or storylines throughout its run, aligning with the common practices of its original broadcast era.
The movie does not contain any action or adventure elements.
Ironside (1967) is an original television series. Its main characters were created for this specific show and do not derive from prior source material, historical figures, or earlier adaptations. Therefore, no characters could have undergone a gender swap.
Ironside (1967) is the original iteration of its characters. There is no prior source material, historical record, or earlier adaptation to establish a different canonical race for any character, thus precluding a race swap.
Viewer Rating Breakdown
User Ratings
6.9
6.8
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.1
And Then There Were None
(1945)
Political: Center
Diversity: Low
Leans Traditional
6.9
Primal Fear
(1996)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Progressive
6.9
Changeling
(2008)
Political: Leans Left
Diversity: Moderate
Center
7.9
Gone Baby Gone
(2007)
Political: Center
Diversity: Low
Leans Traditional
8.8
Anatomy of a Murder
(1959)
Political: Center
Diversity: Low
Center
8.8
Chinatown
(1974)
Political: Leans Left
Diversity: Low
Center
8.3
The Long Goodbye
(1973)
Political: Leans Left
Diversity: Low
Leans Traditional
7.8
The Trial
(1962)
Political: Center
Diversity: Low
Center
6.6
Trance
(2013)
Political: Center
Diversity: Moderate
Leans Traditional
6.8
So Soon to Die
(1957)
Political: Center
Diversity: Low
Center
7.2
Mr. Holmes
(2015)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Center
6.9
Bad Times at the El Royale
(2018)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Center
8.2
Mystic River
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Conversation
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.7
The Last of Sheila
(1973)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Progressive
8.2
Glengarry Glen Ross
(1992)
Political: Strong Left
Diversity: Low
Leans Traditional
7.2
The Deep End
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Progressive
7.0
Clockers
(1995)
Political: Leans Left
Diversity: High
Progressive
7.8
Wind River
(2017)
Political: Leans Left
Diversity: High
Leans Traditional
7.0
The Pledge
(2001)
Political: Center
Diversity: Low