Viewer Rating
Combines user and critic ratings from four sources

NYPD Blue (1993)
Police drama set in New York City, exploring the internal and external struggles of the fictional 15th precinct of Manhattan. Each episode typically intertwined several plots involving an ensemble cast.
Police drama set in New York City, exploring the internal and external struggles of the fictional 15th precinct of Manhattan. Each episode typically intertwined several plots involving an ensemble cast.
The series, while unflinchingly depicting police misconduct and personal flaws, ultimately reinforces the necessity of law enforcement and champions individual officers' pragmatic efforts to achieve justice, often within a system perceived as hindering their work, aligning with a right-leaning 'tough on crime' perspective.
NYPD Blue showcased visible diversity within its cast, reflecting an urban police department, without engaging in explicit race or gender swaps of traditionally white roles. The narrative largely maintained a neutral to positive framing of its primary white, male characters, focusing on their complex professional and personal lives rather than offering a direct critique of traditional identities, though it did address various social issues.
NYPD Blue featured Detective John Irvin, a recurring gay character whose arc explored his coming out and professional life with dignity. While facing initial prejudice, the show ultimately depicted his identity and relationships with empathy and complexity, framing obstacles as external and affirming the worth of LGBTQ+ lives within a realistic police drama context.
NYPD Blue featured transsexual characters, notably in an episode depicting a trans woman as a victim of a hate crime. While the narrative condemned the violence and sought justice, reflecting an empathetic stance, the portrayal also included problematic elements common for its era, such as the character's tragic circumstances, sex worker stereotype, and misgendering by some characters. The net impact is neutral, as the show's positive message against prejudice is balanced by these problematic depictions.
The series frequently explores Christian themes through its characters' moral struggles, redemption arcs, and cultural backgrounds, often portraying faith as a source of comfort, guidance, or personal conflict. While individual hypocrisy is depicted, the narrative consistently critiques these failings rather than condemning the faith itself, treating Christian belief with nuance and respect for its role in human experience.
The series includes Muslim characters and communities, portraying their faith and cultural identity with a focus on individual experiences and human complexity. The narrative avoids broad generalizations, instead presenting Islam as a diverse belief system within the city, treated with respect and realism.
Judaism is depicted as an integral part of New York City's diverse cultural and religious landscape, often through victims, witnesses, or supporting characters. The show portrays Jewish individuals and their practices with realism and nuance, focusing on human stories without endorsing negative stereotypes or condemning the faith.
The movie does not contain any action or adventure elements.
NYPD Blue is an original television series, not an adaptation or reboot of pre-existing material. All characters were created for the show, meaning there is no prior canon from which a character's gender could have been swapped.
NYPD Blue is an original television series. Its characters were created for the show, meaning there is no prior source material or historical record to establish their race before their on-screen portrayal. Therefore, no race swaps occurred.
Combines user and critic ratings from four sources























