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The Alienist (2018)
New York, 1896. Police commissioner Theodore Roosevelt brings together criminal psychologist Dr. Laszlo Kreizler, newspaper illustrator John Moore and secretary Sara Howard to investigate several murders of male prostitutes.
New York, 1896. Police commissioner Theodore Roosevelt brings together criminal psychologist Dr. Laszlo Kreizler, newspaper illustrator John Moore and secretary Sara Howard to investigate several murders of male prostitutes.
The series' dominant themes align with progressive values, particularly its critique of systemic corruption, social inequality, and the exploitation of marginalized groups, while championing scientific inquiry and social reform through its protagonists.
The series features visible diversity in its supporting cast, with integral roles played by minority actors. Its narrative subtly addresses social inequalities and the challenges faced by marginalized groups within its historical setting, without explicitly critiquing all traditional identities.
The Alienist portrays LGBTQ+ characters primarily as victims of societal prejudice and violence in 19th-century New York. Their identities are sources of vulnerability, exploitation, and ultimately, tragic outcomes. While historically accurate, the net impact within the narrative is overwhelmingly negative, with little to no positive or affirming counterbalance.
Mary Palmer, a character described in the source novel with features implying a white European background, is portrayed by an actress of Indigenous heritage in the series.
The series portrays Christian institutions and certain adherents as hypocritical, cruel, or complicit in societal neglect. The serial killer's motivations are rooted in a twisted, fundamentalist interpretation of Christianity, which the narrative clearly depicts as pathological and destructive.
The film depicts Jewish characters and communities as victims of societal prejudice and anti-Semitism. The narrative frames this bigotry as wrong, positioning the audience to sympathize with the marginalized Jewish population.
The Alienist, a historical crime drama, does not feature any identifiable transsexual characters or themes. The narrative focuses on serial killer investigations and early forensic psychology in 19th-century New York, without engaging with transgender identity.
The movie does not contain any action or adventure elements.
The show adapts Caleb Carr's novel of the same name. All major characters, including Dr. Laszlo Kreizler, John Moore, and Sara Howard, retain their established genders from the source material.
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