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The Blacklist (2013)
Raymond "Red" Reddington, one of the FBI's most wanted fugitives, surrenders in person at FBI Headquarters in Washington, D.C. He claims that he and the FBI have the same interests: bringing down dangerous criminals and terrorists. In the last two decades, he's made a list of criminals and terrorists that matter the most but the FBI cannot find because it does not know they exist. Reddington calls this "The Blacklist". Reddington will co-operate, but insists that he will speak only to Elizabeth Keen, a rookie FBI profiler.
Raymond "Red" Reddington, one of the FBI's most wanted fugitives, surrenders in person at FBI Headquarters in Washington, D.C. He claims that he and the FBI have the same interests: bringing down dangerous criminals and terrorists. In the last two decades, he's made a list of criminals and terrorists that matter the most but the FBI cannot find because it does not know they exist. Reddington calls this "The Blacklist". Reddington will co-operate, but insists that he will speak only to Elizabeth Keen, a rookie FBI profiler.
The series explores moral ambiguity and institutional corruption within the context of global crime and espionage, presenting a pragmatic, individualistic approach to justice without explicitly endorsing a specific political ideology.
The series features a visibly diverse cast in its ensemble, with various racial and ethnic backgrounds represented in key roles. The narrative, however, does not explicitly critique traditional identities or center its themes around strong DEI-driven messages, maintaining a neutral or positive portrayal of traditional identities within its crime thriller framework.
The Blacklist features Aram Mojtabai, a main character who explores his sexuality and engages in a same-sex relationship. His journey is depicted with dignity and complexity, presented as a natural part of his personal growth rather than a source of mockery or misery. The show maintains a respectful and empathetic stance toward his queer identity.
The Blacklist features a central character, Raymond Reddington, revealed to be a trans woman, Katarina Rostova, who transitioned to protect her daughter. This character is consistently depicted with dignity, complexity, and agency, with her transition framed as a profound act of love and sacrifice. A minor character, Elodie Radcliffe, is also a trans woman, whose identity is accepted by her partner. The net impact is primarily positive.
While extremist groups claiming Islamic affiliation are sometimes antagonists, the show often features sympathetic Muslim characters and distinguishes between individual faith and radicalism. The narrative positions the audience to condemn the extremism and its perpetrators, not the religion itself.
The movie does not contain any action or adventure elements.
The Blacklist is an original television series, not an adaptation of pre-existing material or a reboot featuring legacy characters. All main characters were created for the show, thus there are no instances of characters whose canonical gender was altered from a prior source.
The Blacklist is an original television series, not an adaptation of pre-existing source material or a historical depiction. All characters were created for the show, meaning there was no prior canonical or historical race to be altered.
Combines user and critic ratings from four sources























