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The Serpent Queen (2022)
Considered an immigrant, common and plain, Catherine de Medici is married into the 16th century French court as an orphaned teenager expected to bring a fortune in dowry and produce many heirs, only to discover that her husband is in love with an older woman, her dowry is unpaid and she’s unable to concieve. Yet, only with her intelligence and determination, she manages to keep her marriage alive and masters the bloodsport that is the monarchy better than anyone else, ruling France for 50 years.
Considered an immigrant, common and plain, Catherine de Medici is married into the 16th century French court as an orphaned teenager expected to bring a fortune in dowry and produce many heirs, only to discover that her husband is in love with an older woman, her dowry is unpaid and she’s unable to concieve. Yet, only with her intelligence and determination, she manages to keep her marriage alive and masters the bloodsport that is the monarchy better than anyone else, ruling France for 50 years.
The series focuses on a woman's ruthless individual cunning and pragmatism to survive and wield power in a patriarchal 16th-century court. While featuring a female protagonist navigating gender constraints, the show's solution is individual mastery of a brutal system rather than systemic critique, leading to a neutral rating.
The series demonstrates significant diversity through intentional casting of minority actors in various roles within a historically white setting. Its narrative centers on a powerful female protagonist challenging patriarchal structures of the 16th century, offering a subtle critique of male-dominated power dynamics without explicitly framing traditional identities negatively as a central modern DEI theme.
The show features multiple LGBTQ+ characters, including a bisexual king and a lesbian lady-in-waiting. Their relationships are portrayed with dignity and complexity, contributing to the historical court's social fabric without being sensationalized or denigrated. The narrative maintains a respectful and empathetic stance toward queer identities, framing any challenges as external societal pressures.
The Serpent Queen features Angelica, a trans woman, as a respected and trusted member of Catherine de' Medici's court. Her identity is acknowledged without judgment or mockery, and she is portrayed with dignity and skill, contributing to a net positive and affirming depiction of a trans character.
Louis de Bourbon, Prince of Condé, a historical French nobleman of European descent, is portrayed by Ray Panthaki, an actor of Indian descent. This constitutes a race swap for a significant historical character.
The series consistently portrays Christianity, specifically the conflict between Catholic and Protestant factions, as a primary driver of political manipulation, hypocrisy, and brutal violence. The narrative uses dark humor and Catherine's cynical perspective to highlight the destructive consequences of religious intolerance and the self-serving actions of those in power who exploit faith. It critiques the institutional and political manifestations of religion rather than individual faith.
The movie does not contain any action or adventure elements.
The historical drama portrays real-world figures such as Catherine de' Medici, King Henry II, and Diane de Poitiers, maintaining their historically documented genders without alteration.
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