MovieBias

See all results for ""
BrowseAnalyticsAbout

Tyler Perry's The Oval (2019)

Tyler Perry's The Oval poster

Tyler Perry's The Oval (2019)

Overview

A seemingly perfect interracial first family becomes the White House's newest residents. But behind closed doors they unleash a torrent of lies, cheating and corruption.


Starring Cast


Where to watch

Hulu logoHulu
Peacock logoPeacock
Paramount+ logoParamount+
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Center

Political: Leans Right
Diversity: High
LGBTQ: Negative
Trans: Negative
Christianity: Positive

Viewer Rating
6.3

Overview

A seemingly perfect interracial first family becomes the White House's newest residents. But behind closed doors they unleash a torrent of lies, cheating and corruption.


Starring Cast


Where to watch

Hulu logoHulu
Peacock logoPeacock
Paramount+ logoParamount+
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Center

Primary

The show's dominant themes align with right-leaning values by primarily framing political and societal problems as stemming from individual moral failings, a breakdown of traditional values, and pervasive corruption within the political elite, rather than systemic issues.

The series prominently features a Black first family, marking a significant and intentional shift from traditional media portrayals of such roles. However, its narrative primarily focuses on dramatic plotlines and character conflicts, rather than explicitly critiquing traditional identities.

Secondary

Tyler Perry's The Oval features several LGBTQ+ characters whose identities are frequently intertwined with villainy, manipulation, and disturbed behavior. The narrative often sensationalizes their sexuality, presenting it as a source of scandal or depravity rather than depicting them with dignity or complexity. The portrayals reinforce harmful stereotypes and lead to predominantly negative outcomes for these characters.

Tyler Perry's The Oval features transsexual characters like Lilly, a trans woman, and Max, a trans man. Lilly's storyline primarily involves exploitation, danger, and her identity being used for manipulation. Max faces prejudice from colleagues. The show often leverages trans identity for dramatic conflict and scandal, portraying characters in vulnerable positions without consistently affirming their dignity or providing a strong counter-narrative to negative stereotypes.

The series frequently uses Christian morality as a foundational framework, depicting characters who struggle with sin, hypocrisy, and redemption. While it critiques the moral failings of individuals who claim faith, the narrative consistently upholds Christian principles as virtuous and offers them as a path to spiritual growth and resolution.

The movie does not contain any action or adventure elements.

Tyler Perry's The Oval is an original series that premiered in 2019. It does not adapt existing source material, feature historical figures, or reboot legacy characters from prior installments. All characters are new creations for this specific show, therefore no gender swaps occur.

Tyler Perry's The Oval is an original series created for television, not an adaptation of existing source material or a historical depiction. Therefore, its characters do not have a pre-established race from prior canon or history to be race-swapped from.


Viewer Rating Breakdown

6.3

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
4.4
The Movie Database logo
8.2

Critic Ratings

Rotten Tomatoes logo
N/A
Metacritic logo
N/A

More Like This

Greta, the Misfit Greyhound poster
Leans Traditional
8.9
Greta, the Misfit Greyhound
 (1963)
Political: Center
Diversity: Low
Brimstone, the Amish Horse poster
Leans Traditional
8.0
Brimstone, the Amish Horse
 (1968)
Political: Center
Diversity: Low
Far From Home poster
Leans Traditional
7.2
Far From Home
 (2003)
Political: Center
Diversity: Low
Paddington Bear's Alphabet Treasure Hunt poster
Leans Traditional
7.5
Paddington Bear's Alphabet Treasure Hunt
 (1993)
Political: Center
Diversity: Low
Daniel Boone: The Wilderness Road poster
Traditional
8.6
Daniel Boone: The Wilderness Road
 (1961)
Political: Leans Right
Diversity: Low
Inside Out poster
Leans Traditional
8.8
Inside Out
 (2015)
Political: Center
Diversity: Low
Wuzzles: Bumblelion poster
Leans Traditional
7.0
Wuzzles: Bumblelion
 (1985)
Political: Center
Diversity: Low
The Sound of Music poster
Traditional
7.6
The Sound of Music
 (1965)
Political: Leans Right
Diversity: Low
Pollyanna poster
Traditional
7.3
Pollyanna
 (1960)
Political: Leans Right
Diversity: Low
Centurions poster
Traditional
6.8
Centurions
 (1986)
Political: Leans Right
Diversity: Low
The Miracle Worker poster
Leans Traditional
9.7
The Miracle Worker
 (1957)
Political: Center
Diversity: Low
The Wind in the Willows poster
Traditional
6.6
The Wind in the Willows
 (1983)
Political: Leans Right
Diversity: Low
Daniel Boone: The Promised Land poster
Traditional
8.3
Daniel Boone: The Promised Land
 (1961)
Political: Strong Right
Diversity: Low
A Fire Called Jeremiah poster
Leans Traditional
8.3
A Fire Called Jeremiah
 (1961)
Political: Center
Diversity: Low
Marginalia poster
Leans Traditional
10.0
Marginalia
 (2025)
Political: Center
Diversity: Low
Where the Wild Things Are poster
Leans Traditional
6.9
Where the Wild Things Are
 (2009)
Political: Center
Diversity: Low
American Underdog poster
Traditional
6.8
American Underdog
 (2021)
Political: Strong Right
Diversity: Low
The Santa Clause poster
Traditional
6.5
The Santa Clause
 (1994)
Political: Leans Right
Diversity: Low
Homeward Borne poster
Leans Traditional
6.6
Homeward Borne
 (1957)
Political: Center
Diversity: Low
Cyrano poster
Leans Traditional
8.1
Cyrano
 (1974)
Political: Center
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com