Traditional
8.7
A Streetcar Named Desire
(1951)
Political: Center
Diversity: Low
LGBTQ: Negative
A Slave of Vanity (1920)
A Slave of Vanity (1920)
Overview
Iris, a British aristocrat, must choose between the poor Laurence and the rich Frederick. She decides to marry the wealthier Frederick, but at the last minute she changes her mind and runs off to Italy with Laurence. However, things do not work out quite the way she planned. A lost film.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Iris, a British aristocrat, must choose between the poor Laurence and the rich Frederick. She decides to marry the wealthier Frederick, but at the last minute she changes her mind and runs off to Italy with Laurence. However, things do not work out quite the way she planned. A lost film.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central theme of vanity and its moral consequences is a universal human and social critique, not inherently aligned with a specific political ideology. The narrative likely focuses on individual moral transformation rather than systemic or political change.
As a silent film from 1920, 'A Slave of Vanity' features primarily traditional casting, reflecting the industry standards of its time. Its narrative does not present critical portrayals of traditional identities or incorporate explicit DEI themes, which were not prevalent in filmmaking during that era.
Secondary
Based on available information, 'A Slave of Vanity' does not feature any identifiable LGBTQ+ characters or themes. Therefore, there is no portrayal to evaluate, resulting in a net impact of N/A.
Based on all available plot information and historical context, 'A Slave of Vanity' (1920) does not contain any identifiable transsexual characters or themes. The film's narrative focuses exclusively on a woman's personal struggle with her physical appearance and vanity.
The movie does not contain any action or adventure elements.
Based on available information for the 1920 film "A Slave of Vanity" and its source novel "The Long Way," there is no indication that any established character's gender was changed in the adaptation.
The film "A Slave of Vanity" (1920) is an adaptation of a novel whose characters are implicitly white, consistent with the film's setting and the original cast. There is no evidence of any character being canonically or historically established as a different race than portrayed.
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