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An American Tail: Fievel Goes West (1991)
Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan.
Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan.
The film's central conflict critiques the exploitation of vulnerable immigrant communities by a deceptive, powerful figure, advocating for collective action and self-determination as the solution.
The movie features anthropomorphic animal characters, which means its casting does not involve explicit human racial or gender representation. The narrative centers on an immigrant family's journey and challenges, without explicitly critiquing traditional human identities.
The film continues to portray the Mousekewitz family, implicitly Jewish, with warmth and sympathy. Their cultural background contributes to their positive characterization, emphasizing themes of family, hope, and resilience in their journey.
An American Tail: Fievel Goes West is an animated children's adventure. The narrative focuses on the Mousekewitz family's journey west and Fievel's escapades. No identifiable LGBTQ+ characters, themes, or plot points are present in the film's story.
The film "An American Tail: Fievel Goes West" does not feature any identifiable transsexual characters or themes. Its narrative centers on the adventures of a mouse family migrating to the American West, without engaging with transgender identity or related issues.
The film does not depict any female characters engaging in or winning direct physical combat against one or more male opponents. Female characters are present but do not participate in such action sequences.
This film is a direct sequel to "An American Tail." All returning characters, such as Fievel, Tanya, Papa, Mama, and Tiger, maintain their established genders from the previous installment. No existing characters were portrayed with a different gender.
This animated film features anthropomorphic animal characters, primarily mice. The concept of 'race' as defined for human characters does not apply to these characters, and there are no instances of a character's species or implied human-equivalent racial background being changed from prior canon.
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