6.2
Viewer Rating
Combines user and critic ratings from four sources
Central Airport (1933)
Central Airport (1933)
Overview
Aviator Jim Blaine and his brother Neil are rivals not only as daredevil flyers, but also for the love of parachutist Jill Collins.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.2
Overview
Aviator Jim Blaine and his brother Neil are rivals not only as daredevil flyers, but also for the love of parachutist Jill Collins.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's narrative centers on the apolitical themes of human drama, ambition, and survival within the dangerous context of early commercial aviation, emphasizing individual skill and professional dedication rather than promoting a specific political ideology.
This 1933 film features traditional casting with a predominantly white ensemble, consistent with the era's industry practices. Its narrative focuses on conventional themes without critiquing traditional identities or incorporating explicit diversity, equity, and inclusion elements.
Secondary
Central Airport (1933) is a pre-Code drama focused on aviation, romance, and sibling rivalry. The film does not feature any identifiable LGBTQ+ characters or themes within its narrative, resulting in no depiction of queer identity.
Central Airport, a 1933 pre-Code drama, centers on aviation and romantic melodrama. An evaluation of its plot and characters reveals no identifiable transsexual characters or themes. Consequently, the film has no impact, positive or negative, on the portrayal of transsexual individuals.
The movie does not contain any action or adventure elements.
Central Airport (1933) is an original film, not an adaptation or reboot of pre-existing material. All characters were created for this film, meaning there is no prior canonical gender to be swapped from.
Central Airport (1933) is an original film, not an adaptation of prior source material or a biopic of historical figures. Therefore, no characters had a pre-established race that could be changed.
Viewer Rating Breakdown
User Ratings
6.2
6.1
Critic Ratings
N/A
N/A
More Like This
Traditional
8.0
Way Down East
(1920)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
The Trial
(1962)
Political: Center
Diversity: Low
Leans Traditional
7.9
First Man
(2018)
Political: Center
Diversity: Low
Leans Traditional
7.8
Butch Cassidy and the Sundance Kid
(1969)
Political: Center
Diversity: Low
Leans Traditional
8.0
Rocky
(1976)
Political: Leans Right
Diversity: Moderate
Traditional
7.9
Mr. Smith Goes to Washington
(1939)
Political: Leans Right
Diversity: Low
Traditional
8.5
High Noon
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
8.4
The African Queen
(1952)
Political: Center
Diversity: Low
Traditional
7.3
Seabiscuit
(2003)
Political: Leans Right
Diversity: Low
Traditional
8.8
Sunrise: A Song of Two Humans
(1927)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Escape from Terror: The Teresa Stamper Story
(1995)
Political: Center
Diversity: Low
Leans Traditional
6.7
Her Smell
(2019)
Political: Center
Diversity: Low
Traditional
7.1
The Forge
(2024)
Political: Strong Right
Diversity: Moderate
Traditional
8.3
A Bronx Tale
(1993)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
The War of the Roses
(1989)
Political: Center
Diversity: Low
Leans Traditional
6.9
Alpha
(2018)
Political: Center
Diversity: Low
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Traditional
7.3
The Courier
(2020)
Political: Leans Right
Diversity: Low
Traditional
7.6
Sully
(2016)
Political: Leans Right
Diversity: Low
Traditional
8.7
A Streetcar Named Desire
(1951)
Political: Center
Diversity: Low
LGBTQ: Negative