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Animation, Action, Adventure, Horror • 2022 • 27 min • Adults (18+)

This 27-minute R-rated animated short traps John Constantine in a supernatural loop inside the House of Mystery, reliving violent torment with no exit. It is classic DC occult horror, tight in scope and dark in mood. The Leans Traditional label reflects what the film does not do as much as what it does. There are no progressive social frames, no DEI-forward casting shifts, and no political commentary. The supernatural content draws on Christian-adjacent demonology in ways that skew negative toward religious imagery, which is standard for the Constantine universe. The story stays focused on one man's guilt and punishment, a formula that reads as individualist rather than collectivist or socially reformist.
Matt Ryan • Ray Chase • Robin Atkin Downes
This 27-minute R-rated animated short traps John Constantine in a supernatural loop inside the House of Mystery, reliving violent torment with no exit. It is classic DC occult horror, tight in scope and dark in mood. The Leans Traditional label reflects what the film does not do as much as what it does. There are no progressive social frames, no DEI-forward casting shifts, and no political commentary. The supernatural content draws on Christian-adjacent demonology in ways that skew negative toward religious imagery, which is standard for the Constantine universe. The story stays focused on one man's guilt and punishment, a formula that reads as individualist rather than collectivist or socially reformist.
Matt Ryan • Ray Chase • Robin Atkin Downes
The film's central narrative revolves around a character's personal trauma, guilt, and struggle for freedom within a magical prison, focusing on individual psychological and supernatural challenges rather than engaging with political ideologies or societal critiques.
The movie maintains traditional casting for its central character, John Constantine, and other key roles. The narrative focuses on supernatural horror and character psychology, without explicitly critiquing traditional identities or centering on strong DEI themes.
The film primarily focuses on the protagonist's individual torment and past relationships, rather than depicting or commenting on any specific family unit or family-life norms. There is no meaningful content to evaluate against traditional or progressive family models.
The film depicts a world where Christian theological concepts like Hell and damnation are very real and terrifying consequences. Constantine's constant struggle against demonic forces and his personal fear of eternal damnation highlight the oppressive and inescapable nature of this cosmology within the film's narrative, without offering any positive aspects of the faith.
The film does not feature any identifiable LGBTQ+ characters or themes. While the main character, John Constantine, is canonically bisexual in broader media, this specific short does not depict or reference his bisexuality or any other queer identities or relationships.
The film does not feature any identifiable transgender characters or themes. Its narrative is solely dedicated to exploring John Constantine's personal hell and his interactions within the House of Mystery, without incorporating any elements related to transgender identity or experiences.
The film focuses on John Constantine's torment within the House of Mystery. While female characters like Zatanna appear, their roles are primarily supportive and involve the use of magic. There are no instances of a female character engaging in or winning direct physical combat against male opponents using skill, strength, or martial arts.
The film's central character, John Constantine, maintains his established male gender consistent with his comic book origins and prior adaptations. No other significant characters from the source material are depicted with a different gender.
Key characters, including John Constantine, are portrayed consistently with their established racial depictions from the source material. No instances of a character canonically established as one race being portrayed as a different race were identified.
Not depicted in the film.
Combines user and critic ratings from four sources























