MovieBias

See all results for ""
BrowseAnalyticsAbout

Invitation to a Gunfighter (1964)

Invitation to a Gunfighter poster

Invitation to a Gunfighter (1964)

Overview

In New Mexico, a Confederate veteran returns home to find his fiancée married to a Union soldier, his Yankee neighbors rallied against him and his property sold by the local banker who then hires a gunman to kill him.


Starring Cast


Where to watch

Prime Video logoPrime Video
Philo logoPhilo
Apple TV logoApple TV
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Center

Political: Leans Left
Diversity: Low
Christianity: Positive

Viewer Rating
6.1

Overview

In New Mexico, a Confederate veteran returns home to find his fiancée married to a Union soldier, his Yankee neighbors rallied against him and his property sold by the local banker who then hires a gunman to kill him.


Starring Cast


Where to watch

Prime Video logoPrime Video
Philo logoPhilo
Apple TV logoApple TV
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Center

Primary

The film's central conflict, rooted in racial prejudice and the abuse of power by a community elite against a marginalized individual, aligns its dominant themes with progressive values of social justice and anti-discrimination.

This 1964 Western features a cast predominantly aligned with traditional Hollywood casting practices of its era, without visible intentional diversity or explicit race/gender swaps. The narrative explores themes common to the Western genre, without explicitly critiquing traditional identities or centering DEI themes.

Secondary

The film portrays a community that professes Christian values but acts with extreme prejudice and hypocrisy, particularly towards outsiders and minorities. The narrative critiques this misuse of faith to justify bigotry, implicitly affirming the virtues that the characters fail to embody.

Invitation to a Gunfighter is a Western film that does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a town's conflict with a returning Confederate veteran, without engaging with queer identity or experiences.

This film is a Western focusing on a gunfighter hired to deal with a returning Civil War veteran. There are no identifiable transsexual characters or themes present in the narrative, thus the portrayal is not applicable to the rubric.

The movie does not contain any action or adventure elements.

This film is an adaptation of a 1957 television play. A review of the main characters and plot indicates no instances where a character's established gender from the source material was changed in the film adaptation.

The film is an adaptation of a 1957 TV episode. Analysis of the main characters and their portrayals in both the original and the 1964 film does not indicate any instance where a character's established race was changed.


Viewer Rating Breakdown

6.1

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.3
The Movie Database logo
5.9

Critic Ratings

Rotten Tomatoes logo
N/A
Metacritic logo
N/A

More Like This

Forty Guns poster
Traditional
7.4
Forty Guns
 (1957)
Political: Leans Right
Diversity: Low
The Outlaw Josey Wales poster
Traditional
7.8
The Outlaw Josey Wales
 (1976)
Political: Leans Right
Diversity: Low
My Darling Clementine poster
Traditional
8.4
My Darling Clementine
 (1946)
Political: Leans Right
Diversity: Low
Joe Kidd poster
Center
6.5
Joe Kidd
 (1972)
Political: Center
Diversity: Moderate
Bad Day at Black Rock poster
Leans Progressive
8.2
Bad Day at Black Rock
 (1955)
Political: Leans Left
Diversity: Moderate
Jeremiah Johnson poster
Traditional
7.9
Jeremiah Johnson
 (1972)
Political: Leans Right
Diversity: Low
Hostiles poster
Progressive
6.9
Hostiles
 (2017)
Political: Leans Left
Diversity: High
GRUFF poster
Center
8.0
GRUFF
 (2024)
Political: Center
Diversity: Moderate
Shanghai Noon poster
Center
7.2
Shanghai Noon
 (2000)
Political: Center
Diversity: Moderate
Hearts of the West poster
Leans Traditional
7.1
Hearts of the West
 (1975)
Political: Center
Diversity: Low
The Third Woman poster
Leans Traditional
8.2
The Third Woman
 (1920)
Political: Center
Diversity: Low
The Ballad of Little Jo poster
Leans Progressive
6.7
The Ballad of Little Jo
 (1993)

Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Old Henry poster
Traditional
7.7
Old Henry
 (2021)
Political: Leans Right
Diversity: Low
Blazing Saddles poster
Progressive
7.8
Blazing Saddles
 (1974)
Political: Strong Left
Diversity: High
Django Unchained poster
Progressive
8.4
Django Unchained
 (2012)
Political: Strong Left
Diversity: High
Eddington poster
Center
6.6
Eddington
 (2025)
Political: Center
Diversity: Moderate
The Hateful Eight poster
Leans Progressive
7.4
The Hateful Eight
 (2015)

Political: Leans Left
Diversity: High
LGBTQ: Negative
Hell or High Water poster
Leans Progressive
8.3
Hell or High Water
 (2016)
Political: Leans Left
Diversity: Moderate
The Searchers poster
Leans Progressive
8.4
The Searchers
 (1956)
Political: Leans Left
Diversity: Moderate
Daniel Boone: The Wilderness Road poster
Traditional
8.7
Daniel Boone: The Wilderness Road
 (1961)
Political: Leans Right
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2026 © moviebias.com