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Combines user and critic ratings from four sources
Drama, Thriller • 2026 • 100 min • Adults (18+)

Is God Is follows twin sisters who set out on a revenge quest against their abusive father, sent by their dying mother to settle a violent family debt. Adapted from Aleshea Harris's acclaimed stage play, the film roots itself in Southern Gothic fury and Black women's trauma. The Leans Progressive label fits because the story frames biological family as a source of destruction rather than shelter, positions sisterhood as the only reliable bond, and treats the daughters' rage as morally earned rather than something to be restrained or redirected. The narrative does not push broader social commentary, keeping the label from climbing further left. Personal, brutal, and specific.
Kara Young • Mallori Johnson • Vivica A. Fox
Is God Is follows twin sisters who set out on a revenge quest against their abusive father, sent by their dying mother to settle a violent family debt. Adapted from Aleshea Harris's acclaimed stage play, the film roots itself in Southern Gothic fury and Black women's trauma. The Leans Progressive label fits because the story frames biological family as a source of destruction rather than shelter, positions sisterhood as the only reliable bond, and treats the daughters' rage as morally earned rather than something to be restrained or redirected. The narrative does not push broader social commentary, keeping the label from climbing further left. Personal, brutal, and specific.
Kara Young • Mallori Johnson • Vivica A. Fox
The film's core subject of Black women's experiences with misogynoir, trauma, and rage anchors it firmly in progressive identity-focused discourse; the narrative affirms their entitlement to rage and channels it through revenge as catharsis rather than restraint or tradition.
The movie features a predominantly Black cast in lead roles for an original story of family revenge and trauma. Its narrative focuses on personal vengeance and sisterhood without centering explicit critiques of traditional identities.
The film centers on twin sisters' revenge quest against their abusive father amid themes of domestic violence and misogynoir. A single minor male character receives an incidental, non-central nod to homosexuality with no narrative focus, positive affirmation, or negative stereotyping.
The film centers on twin sisters seeking violent revenge against their abusive father at their dying mother's command, framing the biological family as a site of horrific domestic violence and trauma rather than stability or authority. This dominant narrative of generational rupture, sisterhood as the core bond, and patricide as catharsis produces a strongly progressive depiction of family life.
No transgender characters or themes appear in this Southern Gothic revenge thriller about twin sisters scarred by their father's violence who seek vengeance at their mother's urging.
The movie does not contain any action or adventure elements.
The film adapts Aleshea Harris's play of the same name, featuring the same female twin protagonists and supporting characters portrayed by female actors with no recasting of canonically male roles.
The film adapts Aleshea Harris's play about Black twin sisters Racine and Anaia and their mother She, all portrayed by Black actresses Kara Young, Mallori Johnson, and Vivica A. Fox with no deviation from the source's established racial depiction.
Not depicted in the film.
Combines user and critic ratings from four sources























