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Kull the Conqueror (1997)
A barbarian named Kull becomes ruler after defeating the old king in battle. In an effort to regain the throne, the former king's heirs resurrect Akivasha, a witch queen. However, Akivasha has plans of her own for the throne, and only Kull stands in the way.
A barbarian named Kull becomes ruler after defeating the old king in battle. In an effort to regain the throne, the former king's heirs resurrect Akivasha, a witch queen. However, Akivasha has plans of her own for the throne, and only Kull stands in the way.
The film's central conflict revolves around a universal good versus evil narrative, focusing on a just leader overcoming tyranny. While it features elements like a commoner rising to power and rejecting inherited privilege, these are balanced by the emphasis on individual strength, traditional virtues, and the restoration of a benevolent monarchy, resulting in a neutral political stance.
The movie showcases visible diversity within its supporting cast, featuring actors of color in prominent roles, without explicitly altering the race or gender of traditionally white characters. Its narrative adheres to a conventional fantasy adventure structure, presenting its white male protagonist heroically and refraining from explicit critiques of traditional identities or centering DEI themes.
Kull the Conqueror does not feature any identifiable LGBTQ+ characters or themes. The narrative is centered on traditional fantasy elements, including a heterosexual romance and power struggles, without any explicit or implicit queer representation.
Kull the Conqueror is a fantasy adventure film that does not feature any identifiable transsexual characters or explore themes related to gender identity. The narrative is entirely focused on its sword-and-sorcery plot, offering no relevant depictions for evaluation.
The film does not depict any female characters engaging in or winning close-quarters physical combat against male opponents. Female characters either do not participate in combat or rely on magical abilities.
The film adapts Robert E. Howard's character Kull and his supporting cast. All major characters, including Kull, Akivasha, and Taligaro, maintain their established genders from the source material in their on-screen portrayals.
Analysis of major characters, including Kull and Akivasha, against their source material or historical context reveals no instances where a character canonically established as one race is portrayed as a different race in the film.
Combines user and critic ratings from four sources























