Center
7.4
20,000 Leagues Under the Sea
(1916)
Political: Center
Diversity: Low
'Ostler Joe (1908)
'Ostler Joe (1908)
Overview
Stable hostler Joe loves his wife Annie, but she leaves him and their child for a wealthy gentleman, only to die destitute in London, where Joe's enduring love brings her solace in her final moments.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Stable hostler Joe loves his wife Annie, but she leaves him and their child for a wealthy gentleman, only to die destitute in London, where Joe's enduring love brings her solace in her final moments.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film primarily focuses on apolitical themes of adventure, romance, and character conflict within the Western genre, rather than explicitly promoting a specific political ideology or offering a political solution to a societal problem.
This classic Western features a traditional cast and narrative, focusing on established archetypes of the genre. The film does not incorporate explicit DEI themes, nor does it critique traditional identities or roles.
Secondary
The film 'The Outlaw' (1910), directed by Wallace McCutcheon Sr., does not feature any discernible LGBTQ+ characters or themes. Based on available historical records and plot descriptions for this early silent film, there is no indication of such content, resulting in an N/A determination for its portrayal of LGBTQ+ issues.
Based on the title, 'King Carlos I of Portugal and Crown Prince Luís Filipe Assassinated,' the film appears to be a historical drama. There is no indication that it includes transsexual characters or explores related themes, resulting in an N/A rating for portrayal.
The movie does not contain any action or adventure elements.
This 1908 film is an original production with no established prior source material, historical figures, or previous installments. Therefore, its characters are considered new and original to the film, precluding any gender swaps.
As a 1908 film, "The Outlaw" predates most modern forms of established canon. There is no evidence of pre-existing source material, historical figures, or prior widely established character races that could have been altered in this production.
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