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Combines user and critic ratings from four sources

Postal (2007)
The story begins with a regular Joe who tries desperately to seek employment, but embarks on a violent rampage when he teams up with cult leader Uncle Dave. Their first act is to heist an amusement park, only to learn that the Taliban are planning the same heist as well. Chaos ensues, and now the Postal Dude must not only take on terrorists but also political figures.
The story begins with a regular Joe who tries desperately to seek employment, but embarks on a violent rampage when he teams up with cult leader Uncle Dave. Their first act is to heist an amusement park, only to learn that the Taliban are planning the same heist as well. Chaos ensues, and now the Postal Dude must not only take on terrorists but also political figures.
Postal is a nihilistic satire that equally lampoons various aspects of both left-wing and right-wing ideologies, as well as general societal absurdities, without advocating for any specific political solution or viewpoint. Its central thesis is a cynical critique of all ideological extremes and human depravity.
The movie features primarily traditional casting without explicit race or gender swaps of established roles. Its narrative employs broad satire that critiques various societal groups and individuals indiscriminately, rather than specifically targeting or negatively framing traditional identities in a DEI-focused manner.
Postal depicts LGBTQ+ characters and themes mainly for crude, stereotypical humor and shock. Homophobic slurs and exaggerated portrayals are used without narrative critique, reinforcing harmful stereotypes. The film's overall impact is negative, as queer identity serves primarily as a source of mockery rather than being depicted with dignity or complexity.
Postal features a character, Uncle Dave, depicted as a transvestite/transsexual, whose identity is primarily a source of crude, derogatory humor. The film frequently uses cross-dressing and gender non-conformity for shock value and mockery, presenting these elements without dignity or respect. The overall portrayal aligns with harmful stereotypes, contributing to a net negative impact regarding transsexual themes.
The film satirizes Christian-associated figures and aspects of American Christian culture as hypocritical, violent, and absurd, without offering counterbalancing positive portrayals.
The film portrays Islamic characters as stereotypical, violent, and fanatical terrorists, using these negative portrayals for shock humor without offering nuance or condemning bigotry.
The film depicts a group of Jewish characters as violent, misguided terrorists for shock humor, using a negative stereotype without condemning bigotry against the faith.
The film features several female characters, but none are depicted engaging in or winning close-quarters physical combat against male opponents. Combat scenes primarily involve firearms and explosions, without instances of hand-to-hand or melee weapon victories by female characters over men.
The film adapts the "Postal" video game series. Key characters like the Postal Dude and Uncle Dave, who were established as male in the source material, are portrayed as male in the movie. No legacy characters from the game undergo a gender swap.
The film "Postal" (2007) adapts the video game series. Key characters like the Postal Dude and Uncle Dave, who were established as white in the source material, are portrayed by white actors in the film. No established character's race was changed from the source material.
Combines user and critic ratings from four sources























