Viewer Rating
Combines user and critic ratings from four sources
Crime, Comedy • 2025 • 102 min

A struggling writer going through a divorce stumbles into an unlikely mentorship with a retired serial killer, who doubles as an accidental marriage counselor by day and research subject by night. Steve Buscemi, Britt Lower, and John Magaro anchor this dark comedy from Turkish director Tolga Karaçelik. The Progressive label here is modest and based on limited signals. The film carries no political framing, no identity-driven narrative, and no religious content worth flagging. What tips the needle slightly left is the absurdist premise itself: a story that treats a failing marriage and creative stagnation as problems best solved through unconventional, boundary-free relationships, which tends to read as a culturally progressive sensibility rather than a traditional one.
Steve Buscemi • Britt Lower • John Magaro
A struggling writer going through a divorce stumbles into an unlikely mentorship with a retired serial killer, who doubles as an accidental marriage counselor by day and research subject by night. Steve Buscemi, Britt Lower, and John Magaro anchor this dark comedy from Turkish director Tolga Karaçelik. The Progressive label here is modest and based on limited signals. The film carries no political framing, no identity-driven narrative, and no religious content worth flagging. What tips the needle slightly left is the absurdist premise itself: a story that treats a failing marriage and creative stagnation as problems best solved through unconventional, boundary-free relationships, which tends to read as a culturally progressive sensibility rather than a traditional one.
Steve Buscemi • Britt Lower • John Magaro
The film's core subject of a writer's marital and creative struggles framed through absurd personal interactions with a serial killer has no inherent political valence and receives no ideological framing in its narrative or reception. The problem of individual stagnation is addressed through quirky, apolitical interpersonal solutions rather than any systemic or value-based critique.
The film features a predominantly white lead cast in standard roles for its dark comedy premise about a blocked writer and a serial killer, with no recasting or narrative emphasis on identity critiques.
The film depicts a failing marriage between a writer and his wife heading toward divorce, with a serial killer posing as their marriage counselor in an absurd dark comedy, but offers no substantive exploration, endorsement, or critique of family structures, roles, or values.
The film features no identifiable LGBTQ+ characters or themes in its plot or cast descriptions.
No transgender characters or themes appear in this dark comedy about a struggling writer who befriends a retired serial killer posing as a marriage counselor.
The movie does not contain any action or adventure elements.
Original screenplay with all named characters newly created for this film; no legacy, historical, or source-material figures recast across genders.
Original screenplay with all named characters newly created for this film; no prior canon or source material establishes any character's race.
Not depicted in the film.
Combines user and critic ratings from four sources























