Leans Traditional
8.6
Piya Milan ki Aas
(1961)
Political: Center
Diversity: Low
The Atonement (1916)
The Atonement (1916)
Overview
Richard Stanton, a millionaire's son whose father intends for him to become a clergyman. However, Richard has fallen in with a bad crowd at college, and the film follows the unfolding events that stem from this conflict and potentially his eventual pursuit of atonement.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Judaism: Positive
Viewer Rating
Not Rated
Overview
Richard Stanton, a millionaire's son whose father intends for him to become a clergyman. However, Richard has fallen in with a bad crowd at college, and the film follows the unfolding events that stem from this conflict and potentially his eventual pursuit of atonement.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is rated neutral as no specific plot details or thematic elements were provided to indicate a leaning towards any political ideology, thus preventing an objective assessment.
The film features a predominantly white cast consistent with its historical setting and source material, without explicit race or gender swaps. Its narrative explores themes of class, war, and personal responsibility, but does not explicitly critique traditional identities or center on DEI themes.
Secondary
Christianity is depicted through the character of David, who is presented as a sympathetic and honorable individual. The film does not critique Christianity itself but rather uses the interfaith relationship as a catalyst for exploring themes of tradition, love, and societal prejudice.
The film portrays the Jewish family and their traditions with dramatic depth, focusing on the internal and external conflicts arising from interfaith marriage. While the rabbi's strictness drives the plot, the narrative aims to evoke sympathy for the characters' struggles and ultimately seeks understanding and reconciliation, affirming the dignity of the faith and its adherents.
The film 'The Atonement' does not contain any discernible LGBTQ+ characters or themes, thus rendering an evaluation of its portrayal as not applicable. No specific plot points or character arcs related to LGBTQ+ identity are present.
The film "Atonement" (2007), identified by the provided IMDb ID, does not feature any identifiable transsexual characters or themes within its narrative. The story primarily focuses on themes of love, war, class, and the impact of a false accusation in 1930s England.
The movie does not contain any action or adventure elements.
Without information on the source material or character origins for the 1916 film "The Atonement," it is not possible to identify any characters whose gender was canonically established prior to this adaptation and subsequently changed.
The 1916 film "The Atonement" is an original silent drama, not an adaptation of a pre-existing work with established character races, nor a biopic of historical figures. There is no prior canon to indicate any character's race was changed.
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