5.4
Viewer Rating
Combines user and critic ratings from four sources
The Losers (2010)
The Losers (2010)
Overview
On a mission deep in the Bolivian jungle, a team of elite commandos finds itself on the receiving end of a lethal betrayal. Now presumed dead, the men join forces with a mysterious operative named Aisha to hunt down their enemy and even the score.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Center
Diversity: Moderate
Female Combat: Yes
Race Swap: Yes
Viewer Rating
5.4
Overview
On a mission deep in the Bolivian jungle, a team of elite commandos finds itself on the receiving end of a lethal betrayal. Now presumed dead, the men join forces with a mysterious operative named Aisha to hunt down their enemy and even the score.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's core conflict centers on a rogue team seeking revenge against a singular, corrupt antagonist, emphasizing individual action and teamwork over systemic critique or explicit ideological promotion, leading to a neutral political stance.
The movie features a visibly diverse main cast, reflecting the source material's established character diversity. The narrative maintains a neutral or positive framing of traditional identities, with no explicit critique or central focus on DEI themes beyond the inherent diversity of the team.
Secondary
The film features Aisha al-Fadhil, who participates in direct physical combat. She demonstrates proficiency in martial arts and melee weapon use, successfully defeating a male opponent in a close-quarters fight.
The character Roque, who is depicted as white in the original comic book series, is portrayed by a Black actor in the film adaptation, constituting a race swap.
The Losers does not include any identifiable LGBTQ+ characters or themes. The narrative focuses on a black-ops team's mission and personal vendettas, without exploring queer identities or experiences, resulting in no portrayal.
The film "The Losers" does not feature any identifiable transsexual characters or themes within its narrative. Therefore, there is no portrayal to evaluate regarding its impact on transgender identity or related issues.
The film "The Losers" is an adaptation of the comic book series. All primary characters, including Clay, Jensen, Roque, Pooch, Cougar, Aisha, and Max, maintain the same gender as established in the original source material.
Viewer Rating Breakdown
User Ratings
6.2
6.3
Critic Ratings
4.7
4.4
More Like This
Leans Progressive
7.4
Lethal Weapon 2
(1989)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.0
The Mighty Quinn
(1989)
Political: Leans Left
Diversity: Moderate
Progressive
7.5
She Rides Shotgun
(2025)
Political: Strong Left
Diversity: High
Female Combat: Yes
Leans Progressive
6.8
The Accountant²
(2025)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.0
The Matrix Reloaded
(2003)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Progressive
6.9
Ballerina
(2025)
Political: Leans Left
Diversity: High
Female Combat: Yes
Center
6.6
Trance
(2013)
Political: Center
Diversity: Moderate
Center
7.2
State of Play
(2009)
Political: Leans Left
Diversity: Low
Center
8.1
Kill Bill: Vol. 2
(2004)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
7.8
John Wick: Chapter 3 - Parabellum
(2019)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
6.9
The Equalizer 3
(2023)
Political: Leans Right
Diversity: High
Progressive
6.7
Starship Troopers
(1997)
Political: Strong Left
Diversity: Moderate
Center
8.1
John Wick: Chapter 4
(2023)
Political: Center
Diversity: Moderate
Female Combat: Yes
Progressive
8.2
Thelma & Louise
(1991)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Center
7.4
The Bad Guys
(2022)
Political: Center
Diversity: Moderate
Female Combat: Yes
Progressive
7.7
Rebel Ridge
(2024)
Political: Leans Left
Diversity: High
Progressive
7.0
Coffy
(1973)
Political: Leans Left
Diversity: High
Female Combat: Yes
Leans Progressive
7.6
Crossfire
(1947)
Political: Leans Left
Diversity: Moderate
Progressive
6.7
Faster, Pussycat! Kill! Kill!
(1965)
Political: Leans Left
Diversity: High
Female Combat: Yes
Progressive
7.1
Shaft
(1971)
Political: Leans Left
Diversity: High