Leans Traditional
7.2
McFarland, USA
(2015)
Political: Leans Right
Diversity: Moderate
The Ninety Black Boxes (1914)
The Ninety Black Boxes (1914)
Overview
King Louis XI of France is beset with the idea that his uncle, the aged King Rene, is trafficking with England and Burgundy against the French throne. The fourth installment in The Adventures of Francois Villon.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
King Louis XI of France is beset with the idea that his uncle, the aged King Rene, is trafficking with England and Burgundy against the French throne. The fourth installment in The Adventures of Francois Villon.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
No plot or thematic information was provided for 'The Ninety Black Boxes', preventing an objective assessment of political bias. A neutral rating is assigned by default due to the complete lack of data.
This film, produced in 1914, features traditional casting practices typical of its era, with no evidence of intentional diversity-driven casting or race/gender swaps. Its narrative does not present critiques of traditional identities or incorporate explicit DEI themes.
Secondary
The 1914 silent film 'The Ninety Black Boxes' does not feature any discernible LGBTQ+ characters or themes. Its narrative focuses on a detective mystery involving a stolen necklace, with no elements related to queer identity or experiences identified in its plot or character descriptions.
The 1918 silent drama 'The Ninety Black Boxes' does not feature any identifiable transgender characters or themes. Its narrative focuses on traditional drama elements such as romance, wealth, and conflict, common for films of its era, without any depiction relevant to transsexual identity.
The movie does not contain any action or adventure elements.
There is no evidence that "The Ninety Black Boxes" (1914) is an adaptation of a work featuring characters with widely established canonical or historical genders that were subsequently altered for this film. The characters' genders were likely defined within this production's context.
There is no evidence of prior source material, historical figures, or previous installments that establish the canonical race of any character before this 1914 film. Therefore, no character could have been portrayed as a different race than previously established.
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