Leans Traditional
8.6
Piya Milan ki Aas
(1961)
Political: Center
Diversity: Low
Women Go on Forever (1931)
Women Go on Forever (1931)
Overview
In a New York boarding house, owner Daisy Bowman becomes romantically involved with new tenant Jake while among the other residents taxi driver Eddie, fiancé of Betty, is framed for murder by a gangster and imprisoned without telling Betty. The faithless Jake makes a play for Betty, causing him to quarrel with Daisy. Attempting to strangle her he is shot dead by Betty’s blind son. One of Jake’s cohorts, Pete, tries to take advantage of a drunk Betty but when Daisy tries to intervene, he threatens to tell the police who really killed Jake. Meanwhile, Eddie has been released from jail, he returns to find a drunken Betty with Pete and misunderstands. Jake's brother arrives looking for vengeance and believing Eddie murdered Jake, but Daisy tells him it was Pete. In the ensuing shoot out both are killed, and Daisy helps Eddie and Betty reunite.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
In a New York boarding house, owner Daisy Bowman becomes romantically involved with new tenant Jake while among the other residents taxi driver Eddie, fiancé of Betty, is framed for murder by a gangster and imprisoned without telling Betty. The faithless Jake makes a play for Betty, causing him to quarrel with Daisy. Attempting to strangle her he is shot dead by Betty’s blind son. One of Jake’s cohorts, Pete, tries to take advantage of a drunk Betty but when Daisy tries to intervene, he threatens to tell the police who really killed Jake. Meanwhile, Eddie has been released from jail, he returns to find a drunken Betty with Pete and misunderstands. Jake's brother arrives looking for vengeance and believing Eddie murdered Jake, but Daisy tells him it was Pete. In the ensuing shoot out both are killed, and Daisy helps Eddie and Betty reunite.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film depicts the harsh realities and injustices within a women's prison, highlighting themes of survival and solidarity, but it primarily observes and portrays human drama without explicitly promoting a specific political ideology or offering a partisan solution to the systemic issues it depicts, leading to a neutral rating.
Based on the typical production characteristics of films from the era associated with director Walter Lang, the movie is assessed to feature traditional casting without explicit DEI-driven recasting. The narrative is also presumed to maintain a neutral or positive framing of traditional identities, rather than explicitly critiquing them or centering DEI themes.
Secondary
The film 'Women Go on Forever' does not feature any discernible LGBTQ+ characters or themes. Its narrative focuses on the lives and relationships of women in a boarding house without exploring queer identities or experiences.
The film 'Women Go on Forever' (1931) does not contain any discernible transsexual characters or themes. Its narrative focuses on a boarding house owner and the lives of her tenants, without touching upon gender identity or transsexuality. Therefore, there is no portrayal to evaluate.
The movie does not contain any action or adventure elements.
The 1931 film "Women Go on Forever" is an adaptation of a play with the same title. There is no evidence to suggest that any character's gender was changed from the original play to the film adaptation.
There is no evidence to suggest that any character in the 1931 film "Women Go on Forever" was canonically, historically, or widely established as one race and then portrayed as a different race in this adaptation.
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