6.9
Viewer Rating
Combines user and critic ratings from four sources
The Eleventh Hour (1962)
The Eleventh Hour (1962)
Overview
The Eleventh Hour is an American medical drama about psychiatry starring Wendell Corey, Jack Ging, and Ralph Bellamy, which aired sixty-two new episodes plus selected rebroadcasts on NBC from October 3, 1962, to September 9, 1964.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.9
Overview
The Eleventh Hour is an American medical drama about psychiatry starring Wendell Corey, Jack Ging, and Ralph Bellamy, which aired sixty-two new episodes plus selected rebroadcasts on NBC from October 3, 1962, to September 9, 1964.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central focus on individual psychological struggles and their professional psychiatric treatment, rather than explicit political advocacy or broad societal critique, positions it as neutral. It primarily explores the human condition through a medical lens.
This 1960s medical drama features a predominantly traditional cast, reflecting the common casting practices of its era without intentional diversity-driven choices. The narrative focuses on individual psychological challenges, presenting traditional identities neutrally or positively without explicit DEI themes.
Secondary
The medical drama series 'The Eleventh Hour' (1962-1964) does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on psychiatric cases and their treatment, with no discernible portrayal of queer identities or experiences.
No information is available regarding the presence or portrayal of transsexual characters or themes in 'The Eleventh Hour' (1962). Therefore, an evaluation of its net impact cannot be made based on the provided data.
The movie does not contain any action or adventure elements.
The Eleventh Hour (1962) is an original television series. Its characters were created for the show and do not have pre-existing canonical or historical genders from prior source material, thus precluding any gender swaps.
As an original television series from 1962, "The Eleventh Hour" established its own characters and their races. There is no prior source material, historical record, or previous adaptation from which a character's race could have been canonically established and then changed.
Viewer Rating Breakdown
User Ratings
7.7
6.0
Critic Ratings
N/A
N/A
More Like This
Traditional
8.3
Daniel Boone: The Promised Land
(1961)
Political: Strong Right
Diversity: Low
Leans Traditional
8.0
Brimstone, the Amish Horse
(1968)
Political: Center
Diversity: Low
Leans Traditional
7.2
Far From Home
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.9
Greta, the Misfit Greyhound
(1963)
Political: Center
Diversity: Low
Leans Traditional
8.0
Drugstore Cowboy
(1989)
Political: Center
Diversity: Low
Leans Traditional
8.6
Annie Hall
(1977)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.1
Love Story
(1970)
Political: Center
Diversity: Low
Center
8.6
The Manchurian Candidate
(1962)
Political: Center
Diversity: Low
Leans Traditional
8.2
Once Upon a Time in America
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.8
Miller's Crossing
(1990)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Lady from Shanghai
(1947)
Political: Center
Diversity: Low
Leans Traditional
8.4
American Beauty
(1999)
Political: Leans Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.7
The Jazz Singer
(1927)
Political: Center
Diversity: Low
Leans Traditional
7.2
Apocalypto
(2006)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.5
The Sting
(1973)
Political: Center
Diversity: Low
Traditional
7.2
Slap Shot
(1977)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.5
Miss Potter
(2006)
Political: Center
Diversity: Low
Leans Traditional
7.6
Bridge to Terabithia
(2007)
Political: Center
Diversity: Low
Traditional
6.6
Memphis Belle
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
The Boomerang
(1919)
Political: Center
Diversity: Low