7.9
Viewer Rating
Combines user and critic ratings from four sources
The Terror (2018)
The Terror (2018)
Overview
A chilling anthology series featuring stories of people in terrifying situations inspired by true historical events.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Christianity: Positive
Viewer Rating
7.9
Overview
A chilling anthology series featuring stories of people in terrifying situations inspired by true historical events.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film subtly critiques British imperial ambition and rigid class structures, contrasting them with the wisdom of indigenous cultures and the unforgiving power of nature. This focus on anti-colonialism and environmental themes positions it as left-leaning.
The movie features primarily traditional casting for its historical setting, with a predominantly white, male crew, though it includes a notable indigenous character. The narrative subtly critiques colonial attitudes and the hubris of the expedition, integrating indigenous perspectives without explicitly framing traditional identities as villains or making DEI themes the sole central focus.
Secondary
The Terror subtly portrays a deeply caring and mutually supportive bond between Dr. Goodsir and Thomas Blanky. This implied relationship is depicted with dignity and empathy, serving as a poignant source of humanity amidst the expedition's horrors. The show's respectful stance affirms the worth of their connection despite the tragic circumstances.
The film portrays the struggles of Christian faith among the crew with depth and sympathy, showing it as both a source of comfort and a challenge in the face of extreme adversity, without condemning the faith itself. The narrative treats the characters' faith with seriousness and empathy, even when it falters.
The Terror is an anthology horror drama series that does not include any transsexual characters or themes in its storylines. Consequently, there is no portrayal to evaluate regarding transsexual identity or experiences within the show's narrative.
The movie does not contain any action or adventure elements.
The show's first season adapts a novel and historical events, faithfully portraying the genders of its characters as established. The second season features an original story with new characters, thus not involving gender swaps of pre-existing figures.
The first season of "The Terror" portrays historical figures accurately based on their documented race. The second season, "Infamy," introduces new characters for an original storyline set in Japanese-American internment camps, without altering the race of any pre-established characters. No instances of race swapping are present.
Viewer Rating Breakdown
User Ratings
7.8
7.3
Critic Ratings
8.7
7.6
More Like This
Leans Progressive
7.9
Gosford Park
(2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Leans Progressive
7.2
Mr. Holmes
(2015)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Progressive
6.7
Leave the World Behind
(2023)
Political: Leans Left
Diversity: High
LGBTQ: Neutral
Leans Progressive
6.9
Changeling
(2008)
Political: Leans Left
Diversity: Moderate
Progressive
7.9
Lone Star
(1996)
Political: Leans Left
Diversity: High
LGBTQ: Positive
Leans Progressive
7.5
The Hateful Eight
(2015)
Political: Leans Left
Diversity: High
LGBTQ: Negative
Progressive
7.1
The Manchurian Candidate
(2004)
Political: Leans Left
Diversity: High
Leans Progressive
8.2
Glengarry Glen Ross
(1992)
Political: Strong Left
Diversity: Low
Leans Progressive
7.5
Missing
(2023)
Political: Center
Diversity: High
Leans Progressive
8.3
The Bourne Ultimatum
(2007)
Political: Leans Left
Diversity: Moderate
Progressive
8.2
In the Heat of the Night
(1967)
Political: Strong Left
Diversity: High
LGBTQ: Negative
Progressive
7.0
Clockers
(1995)
Political: Leans Left
Diversity: High
Leans Progressive
7.0
The Mighty Quinn
(1989)
Political: Leans Left
Diversity: Moderate
Center
6.6
Trance
(2013)
Political: Center
Diversity: Moderate
Leans Progressive
7.3
The Lost Bus
(2025)
Political: Leans Left
Diversity: Moderate
Progressive
7.6
The Three Burials of Melquiades Estrada
(2005)
Political: Leans Left
Diversity: High
Leans Progressive
7.9
Searching
(2018)
Political: Center
Diversity: High
Leans Progressive
8.2
Bad Day at Black Rock
(1955)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.2
Mulholland Drive
(2001)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
8.3
Arrival
(2016)
Political: Leans Left
Diversity: Moderate