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Assault on Precinct 13 (2005)
On New Year's Eve, inside a police station that's about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop.
On New Year's Eve, inside a police station that's about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop.
The film's central conflict revolves around individual corruption within law enforcement and a high-stakes survival scenario, emphasizing pragmatic action and self-preservation through an unlikely alliance, rather than promoting a specific political ideology.
The movie features visible diversity within its cast, including significant roles for minority actors. However, it does not appear to engage in explicit DEI-driven recasting of traditionally white roles. The narrative primarily focuses on themes of survival and morality without explicitly critiquing traditional identities or centering on strong DEI themes.
The 2005 remake features multiple characters whose races differ from their counterparts in the 1976 original. For instance, the lead police officer, originally Black, is portrayed by a White actor, and the lead prisoner, originally White, is portrayed by a Black actor.
The film 'Assault on Precinct 13' does not feature any identifiable LGBTQ+ characters or themes. The narrative is solely focused on an action-thriller plot involving a police precinct under siege, with no elements pertaining to queer identity or experiences.
The film "Assault on Precinct 13" (2005) does not feature any identifiable transsexual characters or themes. The narrative focuses on a siege at a police precinct, involving a diverse group of police officers and criminals, without incorporating any elements related to transgender identity.
The film features female characters in supporting roles during a siege, but none are depicted engaging in or winning close-quarters physical combat against male opponents. Their involvement in action scenes is primarily through the use of firearms.
The 2005 film is a remake of the 1976 original, but its main characters are largely new or re-imagined without directly changing the gender of established characters from the source material. No canonical male or female character from the original is portrayed as a different gender in the remake.
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